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Descolonización de la música en TikTok: “¡Hagamos un dúo!”
16 references·0 citing·52 second hop
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References

  • 2020Algorithmic content moderation: Technical and political challenges in the automation of platform governance1,093 cited
  • 2000Western music and its others : difference, representation, and appropriation in music559 cited
  • 2022From content moderation to visibility moderation : A case study of platform governance on TikTok211 cited
  • 2016Algorithmically recognizable: Santorum’s Google problem, and Google’s Santorum problem177 cited
  • 2015Power Plays in Global Internet Governance167 cited
  • 2016The Expressive Moment: How Interaction (with Music) Shapes Human Empowerment127 cited
  • 2019SoundCloud and Bandcamp as Alternative Music Platforms110 cited
  • 2021Decolonizing the digital landscape: the role of technology in Indigenous language revitalization86 cited
  • 2016Narrativas transmedia y contenidos generados por los usuarios: el caso de los crossovers76 cited
  • 2022#ThisIsMeChallenge and Music for Empowerment of Marginalized Groups on TikTok74 cited
  • 2012Here We Go Again61 cited
  • 2021The globalization of TikTok: Strategies, governance and geopolitics60 cited
  • 2018De-Westernization and Decolonization in Media Studies57 cited
  • 2012“We ARE the Revolution”: Riot Grrrl Press, Girl Empowerment, and DIY Self-Publishing51 cited

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2020
DIY Music and the Politics of Social Media
48 cited
  • 2022Defiant Amplification or Decontextualized Commercialization? Protest Music, TikTok, and Social Movements40 cited
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