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When a painting is a history on the rock. A methodological approach to rock art studies through the case of El Alto-Ancasti\'s Mountain
5 references·0 citing·21 second hop
When a painting is a history on the rock. A methodological approach to rock art studies through the case of El Alto-Ancasti\'s Mountain (2023)When a painting is a history on the rock.…Arte rupestre de la Cueva de La Candelaria, Provincia de Catamarca (2021)Arte rupestre de la Cueva de …Hidden paintings, forgotten histories: a micro-stratigraphic approach to study coated rock art (2019)Hidden paintings, forgotten h…A multipurpose X-ray fluorescence scanner developed for in situ analysis (2019)A multipurpose X-ray fluoresc…About fires and paintings: Three stratigraphic insights on the history of a cave with prehispanic rock art (2017)About fires and paintings: Th…Micro-spectroscopic analysis of pigments and carbonization layers on prehispanic rock art at the Oyola's caves, Argentina, using a stratigraphic approach (2016)Micro-spectroscopic analysis …Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece (2000)Raman spectroscopic analysis of pigments and substrata in prehistoric rock art (2000)Micro‐Raman spectroscopy of carbon‐based black pigments (2012)A multi-analytical characterization of artists’ carbon-based black pigments (2019)Making visible the invisible. A microarchaeology approach and an Archaeology of Color perspective for rock art paintings from the southern cone of South America (2020)Practice and history in archaeology (2001)Practice and history in archaeology: An emerging paradigm (2001)Statistics and Chemometrics for Analytical Chemistry (2005)Looking for paint mixtures to glimpse pictorial techniques: a micro-stratigraphic physicochemical approach to the rock art from the Oyola’s Caves (Argentina) (2020)A mobile instrument for in situ scanning macro-XRF investigation of historical paintings (2013)Real-time elemental imaging of large dimension paintings with a novel mobile macro X-ray fluorescence (MA-XRF) scanning technique (2017)Recent developments in spectroscopic imaging techniques for historical paintings - A review (2017)Characterisation of ancient Roman wall‐painting fragments using non‐destructive IBA and MA‐XRF techniques (2020)Non-invasive mapping methods for pigments analysis of Roman mural paintings (2020)Detectors and Cultural Heritage: The INFN-CHNet Experience (2021)U-Th dating of carbonate crusts reveals Neandertal origin of Iberian cave art (2018)Micro-Raman spectroscopy and complementary techniques applied for the analysis of rock art paintings at the archaeological locality La Angostura, lower valley of Chubut River (Patagonia, Argentina) (2021)The snake that grew on the wall: A combined macroscopic and microscopic archaeometric approach to rock art making through the case of La Candelaria cave (Northwestern, Argentina) (2025)El otro arte rupestre de El Alto-Ancasti : los conjuntos de grabados y su articulación en el paisaje (2020)otro arte rupestre de El Alto-Ancasti: los conjuntos de grabados y su articulación en el paisaje (2020)EL LADO OCULTO DE LA LOCALIDAD PARA YACU, SUR DE SANTIAGO DEL ESTERO, ARGENTINA. UN ENFOQUE SEMIÓTICO PARA LA INTERPRETACIÓN DE LAS PINTURAS RUPESTRES (2022)
this work references cited by second hop

References

  • 2019A multipurpose X-ray fluorescence scanner developed for in situ analysis46 cited
  • 2016Micro-spectroscopic analysis of pigments and carbonization layers on prehispanic rock art at the Oyola's caves, Argentina, using a stratigraphic approach45 cited
  • 2019Hidden paintings, forgotten histories: a micro-stratigraphic approach to study coated rock art29 cited
  • 2017About fires and paintings: Three stratigraphic insights on the history of a cave with prehispanic rock art24 cited
  • 2021Arte rupestre de la Cueva de La Candelaria, Provincia de Catamarca9 cited

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