References

• 2016Reflectance Hyperspectral Imaging for Investigation of Works of Art: Old Master Paintings and Illuminated Manuscripts333 cited
• 2020Hyper-Spectral Imaging Technique in the Cultural Heritage Field: New Possible Scenarios175 cited
• 2017Rock Art and Ontology65 cited
• 2019Hyperspectral Imaging Techniques for the Study, Conservation and Management of Rock Art46 cited
• 2018Mining painted cultural relic patterns based on principal component images selection and image fusion of hyperspectral images37 cited
• 2021Improved Application of Hyperspectral Analysis to Rock Art Panels from El Castillo Cave (Spain)29 cited
• 2022Hyperspectral imaging solutions for the non-invasive detection and automated mapping of copper trihydroxychlorides in ancient bronze29 cited
• 2023Application of hyperspectral imaging technology to digitally protect murals in the Qutan temple29 cited
• 2023From RGB camera to hyperspectral imaging: a breakthrough in Neolithic rock painting analysis24 cited
• 2023Methodological approach for the automatic discrimination of pictorial materials using fused hyperspectral imaging data from the visible to mid-infrared range coupled with machine learning methods21 cited
• 2018Recovery of a lost wall painting at the Etruscan Tomb of the Blue Demons in Tarquinia (Viterbo, Italy) by multispectral reflectometry and UV fluorescence imaging20 cited
• 2019Rock art as art17 cited
• 2023The contribution of VNIR and SWIR hyperspectral imaging to rock art studies: example of the Otello schematic rock art site (Saint-Rémy-de-Provence, Bouches-du-Rhône, France)