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Earliest directly dated rock art from Patagonia reveals socioecological resilience to mid-Holocene climate
16 references·8 citing·49 second hop
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References

  • 1983Style and Social Information in Kalahari San Projectile Points880 cited
  • 2006Social networks and information: Non-“utilitarian” mobility among hunter-gatherers379 cited
  • 2007Cultural Transmission Theory and the Archaeological Record: Providing Context to Understanding Variation and Temporal Changes in Material Culture333 cited
  • 2012Transmission fidelity is the key to the build-up of cumulative culture290 cited
  • 2021Oldest cave art found in Sulawesi259 cited
  • 2012Micro‐Raman spectroscopy of carbon‐based black pigments186 cited
  • 2019Still no archaeological evidence that Neanderthals created Iberian cave art149 cited
  • 2013The Archaeology of Australia's Deserts130 cited
  • 1989Evolución cultural divergente en la Patagonia austral88 cited
  • 2011A review of rock art dating in the Kimberley, Western Australia81 cited
  • 2017The earliest directly dated rock paintings from southern Africa: new AMS radiocarbon dates73 cited
  • 2013Rock Art In Arid Landscapes: Pilbara And Western Desert Petroglyphs60 cited
  • 2012Rock Art at the Pleistocene/Holocene Boundary in Eastern South America43 cited
  • 2018Pigments, binders, and ages of rock art at Viuda Quenzana, Santa Cruz, Patagonia (Argentina)36 cited
  • 2017

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The Timing and Nature of Human Colonization of Southeast Asia in the Late Pleistocene
31 cited
  • 2012Rock Art, Inherited Landscapes, and Human Populations in Southern Patagonia28 cited
  • Cited by

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    • 2024Arte rupestre y construcción de nicho Una teoría, un caso y una hipótesis2 cited
    • 2025Rock Art and Social Memory in the Deseado Massif: An Approach from the Study of Superimpositions in Cueva 2, Los Toldos, Santa Cruz Province, Argentina2 cited
    • 2024Motivos Transculturales en el Arte Rupestre: Los Petroglifos del Río Kaka, Bolivia y otros sitios en Sudamérica0 cited
    • 2025Arte rupestre y construcción de nicho0 cited
    • 2025Arte rupestre en los espacios de movilidad y de convergencia: aproximación geoespacial a las dinámicas sociales entre grupos cazadores-recolectores del Holoceno tardío en la cordillera andina del Maule, Norpatagonia (Chile, 36°S)0 cited
    • 2026Beholding through being: understanding the phenomenal agency of indigenous-made imagery0 cited
    • 2026Joining hands: cross-cultural analysis of decorated handprints0 cited