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Community in Syntony: Theorizing Axé in Capoeira Angola and Rural Samba of Backland Bahia, Brazil
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Community in Syntony: Theorizing Axé in Capoeira Angola and Rural Samba of Backland Bahia, Brazil (2024)Community in Syntony: Theorizing Axé in C…Afro-Paradise (2016)Afro-ParadiseSearching for Roots of Entrainment and Joint Action in Early Musical Interactions (2012)Searching for Roots of Entrai…Musical Communities: Rethinking the Collective in Music (2011)Musical Communities: Rethinki…The Vibrations of Affect and their Propagation on a Night Out on Kingston’s Dancehall Scene (2010)The Vibrations of Affect and …Music as social life: the politics of participation (2009)Music as social life: the pol…The Affective Turn (2007)The Affective TurnLose your mother: a journey along the Atlantic slave route (2007)Lose your mother: a journey a…Learning Capoeira: Lessons in Cunning from an Afro-Brazilian Art (2005)Learning Capoeira: Lessons in…Culture and the SensesBodily Ways of Knowing in an African Community (2003)Culture and the SensesBodily …Music Grooves: Essays and Dialogues (2000)Music Grooves: Essays and Dia…Samba: resistance in motion (1996)Samba: resistance in motionThe power of black music: interpreting its history from Africa to the United States (1995)The power of black music: int…A Thousand Plateaus: Capitalism and Schizophrenia (1989)A Thousand Plateaus: Capitali…The Race for Theory (1987)The Race for TheoryFlash of the Spirit: African and Afro-American Art and Philosophy by Robert Farris Thompson. New York: Random House, 1983. 317 pp., 164 plates, illustrations, notes, index. $19.95. (1985)Flash of the Spirit: African …Motion and Feeling through Music (1966)Motion and Feeling through Mu…The Fame of Gawa: A Symbolic Study of Value Transformation in a Massim (Papua New Guinea) Society (1989)On Collective Memory (1992)Ethnography In/Of the World System: The Emergence of Multi-Sited Ethnography (1995)Discourse Analysis as Theory and Method (2002)The Practice Turn in Contemporary Theory (2005)3.2. MARXISM AND LITERATURE (2006)Grasping the Phenomenology of Sporting Bodies (2007)Haptic geographies: ethnography, haptic knowledges and sensuous dispositions (2009)Making knowledge: explorations of the indissoluble relation between minds, bodies, and environment (2010)Affective spaces, melancholic objects: ruination and the production of anthropological knowledge* (2009)Involutionary Momentum: Affective Ecologies and the Sciences of Plant/Insect Encounters (2012)Affect and discourse – What’s the problem? From affect as excess to affective/discursive practice (2013)The Theory of Participatory Discrepancies: A Progress Report (1995)Signs of Imagination, Identity, and Experience: A Peircian Semiotic Theory for Music (1999)Classification as Culture: Types and Trajectories of Music Genres (2008)The Problem of Speaking for Others (1991)The Post-Colonial Studies Reader (1996)Methodology of the Oppressed (2010)Predatory Value (2018)The Case for Letting Anthropology Burn: Sociocultural Anthropology in 2019 (2020)Wayward Lives, Beautiful Experiments: Intimate Histories of Social Upheaval (2020)“The little spots allow’d them”: The archaeological study of African-American yards (2000)Afrocentricity and African Spirituality (2002)Creativity and critical thinking in the globalised university (2008)The Cambridge History of American Music (1998)Specters of Democracy (2011)Loving Music Till It Hurts (2019)Multimodality, multisensoriality and ethnographic knowing: social semiotics and the phenomenology of perception (2011)Introduction “the Rot Remains” (2013)The Anthropology of Ethics and Morality (2018)What Is Sociological about Music? (2010)Playing to the Crowd (2019)
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References

  • 1989A Thousand Plateaus: Capitalism and Schizophrenia22,694 cited
  • 2007Lose your mother: a journey along the Atlantic slave route2,988 cited
  • 2007The Affective Turn2,161 cited
  • 2009Music as social life: the politics of participation1,557 cited
  • 1987The Race for Theory784 cited
  • 2003Culture and the SensesBodily Ways of Knowing in an African Community443 cited
  • 1995The power of black music: interpreting its history from Africa to the United States390 cited
  • 1985Flash of the Spirit: African and Afro-American Art and Philosophy by Robert Farris Thompson. New York: Random House, 1983. 317 pp., 164 plates, illustrations, notes, index. $19.95.365 cited
  • 2000Music Grooves: Essays and Dialogues357 cited
  • 2005Learning Capoeira: Lessons in Cunning from an Afro-Brazilian Art332 cited
  • 1996Samba: resistance in motion238 cited
  • 1966Motion and Feeling through Music213 cited
  • 2016Afro-Paradise204 cited
  • 2012Searching for Roots of Entrainment and Joint Action in Early Musical Interactions202 cited
  • 2010The Vibrations of Affect and their Propagation on a Night Out on Kingston’s Dancehall Scene176 cited

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2011
Musical Communities: Rethinking the Collective in Music
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