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Photographier l’archéologie des grottes ornées
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Photographier l’archéologie des grottes ornées (2023)Photographier l’archéologie des grottes o…Using digital techniques to document prehistoric rock art: first approaches on the engraved panels of the Paris Basin shelters (2019)Using digital techniques to d…Applications of digital photography in the study of Paleolithic cave art (2016)Applications of digital photo…Du nouveau aux Combarelles I (Les Eyzies-de-Tayac, Dordogne, France) (2015)Du nouveau aux Combarelles I …An assessment of methods for the digital enhancement of rock paintings: the rock art from the precordillera of Arica (Chile) as a case study (2015)An assessment of methods for …The Hidden Meaning of Forms: Methods of Recording Paleolithic Parietal Art (2007)The Hidden Meaning of Forms: …Le relevé des oeuvres pariétales paléolithiques (1987)Le relevé des oeuvres pariéta…Digital Image Processing and the Recording of Rock Art (2000)Santiago de Chile (2012)A step further in rock art digital enhancements. DStretch on Gigapixel imaging (2019)Making visible the invisible. A microarchaeology approach and an Archaeology of Color perspective for rock art paintings from the southern cone of South America (2020)Myth and Meaning (1978)Towards a cognitive archaeology (1994)Handbook of rock art research (2001)Beyond art: The internal archaeological context in Paleolithic decorated caves (2018)Still no archaeological evidence that Neanderthals created Iberian cave art (2019)Digital Enhancement of Deteriorated and Superimposed Pigment Art: Methods and Case Studies (2012)Digital image enhancement for recording rupestrian engravings: applications to an alpine rockshelter (2014)Digital image enhancement with DStretch®: Is complexity always necessary for efficiency? (2015)Dating without dates: Stylistic and thematic chronologies in the Paleolithic painted caves of Les Bernoux and Saint-Front (Dordogne, France) (2020)« Colore le monde ». Le rôle de la couleur dans le dispositif pariétal de la grotte de Combarelles I (Les Eyzies, Dordogne) (2021)Archéologie de l’art rupestre au Mato Grosso (Brésil) : la Chapada dos Guimarães (2023)Cave Art in Context: Methods for the Analysis of the Spatial Organization of Cave Sites (2011)Application of 3-dimensional microscopy and micro-CT scanning to the analysis of Magdalenian portable art on bone and antler (2013)Lithic or metal tools: Techno-traceological and 3D analysis of rock art (2019)Hidden images in Atxurra Cave (Northern Spain): A new proposal for visibility analyses of Palaeolithic rock art in subterranean environments (2020)“Fontainebleau rock art” (Ile-de-France, France), an exceptional rock art group dated to the Mesolithic? Critical return on the lithic material discovered in three decorated rock shelters (2017)Palaeolithic cave art from Crete, Greece (2018)Automated tracing of petroglyphs using spatial algorithms (2021)Recognizing technique variation in rock engravings: ArchCUT3-D for micromorphological analysis (2023)What defines the “Minusinsk Style” in the earliest rock art of the Minusinsk Basin, southern Siberia? (2023)Mammuthus primigenius in the cave and portable art: An overview with a short account on the elephant fossil record in Southern Europe during the last glacial (2012)Rock Art Recording Methods: From Traditional to Digital (2014)Contribution of 3D technologies to the analysis of form in late palaeolithic rock carvings: The case of the Roc-aux-Sorciers rock-shelter (Angles-sur-l’Anglin, France) (2015)
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References

  • 2007The Hidden Meaning of Forms: Methods of Recording Paleolithic Parietal Art97 cited
  • 2015An assessment of methods for the digital enhancement of rock paintings: the rock art from the precordillera of Arica (Chile) as a case study42 cited
  • 2016Applications of digital photography in the study of Paleolithic cave art35 cited
  • 1987Le relevé des oeuvres pariétales paléolithiques22 cited
  • 2019Using digital techniques to document prehistoric rock art: first approaches on the engraved panels of the Paris Basin shelters13 cited
  • 2015Du nouveau aux Combarelles I (Les Eyzies-de-Tayac, Dordogne, France)6 cited

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