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Circles and Time
6 references·7 citing·34 second hop
Circles and Time (2000)Circles and TimePrinciples of Rhythm Integration in African Drumming (1997)Principles of Rhythm Integrat…Principles of Offbeat Timing and Cross-Rhythm in Southern Eve Dance Drumming (1982)Principles of Offbeat Timing …African Rhythm: A Reassessment (1980)African Rhythm: A ReassessmentThe "Objective" and Subjective View in Music Transcription (1977)The "Objective" and Subjectiv…The Significance of the Relationship between Afro-American Music and West African Music (1974)The Significance of the Relat…Three principles of timing in Anlo dance drumming (1972)Three principles of timing in…Towards Sustainable Preservation: Revitalising Indigenous African Instruments and Craftsmanship (2024)Towards Sustainable Preservat…Ostinatos in Black-Atlantic traditions: generic-specific similarity and proximity (2022)Ostinatos in Black-Atlantic t…West African Polyrhythm: culture, theory, and representation (2021)West African Polyrhythm: cult…Investigating Music-Dance Relationships (2021)Investigating Music-Dance Rel…Gearing Time Toward Musical Creativity: Conceptual Integration and Material Anchoring in Xenakis’ Psappha (2021)Gearing Time Toward Musical C…Music of the Tabom: An Emblem of Identity (2019)Music of the Tabom: An Emblem…Twenty-first-century African classicism: illustrations from the piano trio Pivicafrique on the theme of Jack Berry's ‘Sasabonsam's Match’ (2012)Twenty-first-century African …African Rhythm: A Northern Ewe Perspective (1995)Hearing, Seeing, and Perceptual Agency (2008)Interlocking and Euclidean rhythms (2009)The Ritualization of the Self in Ghanaian Gospel Music (2014)PRESCRIPTIVE AND DESCRIPTIVE MUSIC-WRITING (1958)Theory and Method in Ethnomusicology (1966)Drumming among the Akan and Anlo Ewe of Ghana: an introduction (2009)Forum on Transcription (2014)Introduction (2022)Mental spaces : aspects of meaning construction in natural language (1994)Mappings in Thought and Language (1997)The way we think: conceptual blending and the mind's hidden complexities (2002)Xenakis’ Sieve Theory (2022)Perspectives of New Music (1963)The Elementary Forms of the Religious Life: (2011)Research in African Literatures (2014)The Senses Considered as Perceptual Systems (1969)Hearing lips and seeing voices (1976)Action recognition in the premotor cortex (1996)George Balanchine’s Art of Choreographic Musicality in Tschaikovsky Pas de Deux (2022)The Invention of African Rhythm (1995)University knowledge in an age of supercomplexity (2000)The African Imagination in Music (2016)The Perception of Rhythm in Non-Tonal Music: Rhythmic Contours in the Music of Edgard Varèse (1991)Judging "By the Beat": Calypso versus Soca (1996)The distance geometry of music (2008)Ethnomusicology and Visual Communication (1976)Interaction and Improvisation between Dancers and Drummers in Martinican Bele (1998)O Suingue Baiano: Rhythmic Feeling and Microrhythmic Phenomena in Brazilian Percussion (2006)Rhythmic Archetypes in Instrumental Music from Africa and the Diaspora (2010)Rhythmic Feel as Meter (2010)At the Crossroads: Rap Music and Its African Nexus (1996)Aspects of the Music/Text Relationship in Rap (2008)The Cambridge Companion to Hip-Hop (2015)
this work references cited by second hop

References

  • 1974The Significance of the Relationship between Afro-American Music and West African Music197 cited
  • 1980African Rhythm: A Reassessment98 cited
  • 1982Principles of Offbeat Timing and Cross-Rhythm in Southern Eve Dance Drumming74 cited
  • 1997Principles of Rhythm Integration in African Drumming45 cited
  • 1972Three principles of timing in Anlo dance drumming44 cited
  • 1977The "Objective" and Subjective View in Music Transcription42 cited

Cited by

  • 2021Investigating Music-Dance Relationships12 cited
  • 2021Gearing Time Toward Musical Creativity: Conceptual Integration and Material Anchoring in Xenakis’ Psappha8 cited
  • 2021West African Polyrhythm: culture, theory, and representation6 cited
  • 2024Towards Sustainable Preservation: Revitalising Indigenous African Instruments and Craftsmanship4 cited
  • 2019Music of the Tabom: An Emblem of Identity4 cited
  • 2012Twenty-first-century African classicism: illustrations from the piano trio Pivicafrique on the theme of Jack Berry's ‘Sasabonsam's Match’3 cited
  • 2022Ostinatos in Black-Atlantic traditions: generic-specific similarity and proximity3 cited

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