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On and On
14 references·3 citing·35 second hop
On and On (2005)On and OnUnlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music (2006)Unlocking the Groove: Rhythm,…(Ac)cumulative Form in Pop-Rock Music (2004)(Ac)cumulative Form in Pop-Ro…Towards a Typology of Minimalist Tropes (2002)Towards a Typology of Minimal…Music Grooves: Essays and Dialogues (2000)Music Grooves: Essays and Dia…Riffs, Repetition, and Theories of Globalization (1999)Riffs, Repetition, and Theori…Die Krise der Psychologie? (1996)Die Krise der Psychologie?All made of tunes: Charles Ives and the uses of musical borrowing (1996)All made of tunes: Charles Iv…Black Noise: Rap Music and Black Culture in Contemporary America. (1995)Black Noise: Rap Music and Bl…Hard core: power, pleasure, and "the frenzy of the visible" (1990)Hard core: power, pleasure, a…The Signifying Monkey: A Theory of Afro-American Literary Criticism (1989)The Signifying Monkey: A Theo…Sound Structure as Social Structure (1984)Sound Structure as Social Str…‘Play it again Sam’: Some notes on the productivity of repetition in popular music (1983)‘Play it again Sam’: Some not…African Rhythm and African Sensibility: Aesthetics and Social Action in African Musical Idioms (1980)African Rhythm and African Se…Philosophy of Modern Music (1974)Philosophy of Modern MusicWhen Donald Trump Dropped the Bass: The Weaponization of Dubstep in Internet Trolling Strategies, 2011–2016 (2025)When Donald Trump Dropped the…The Functions of Continuous Processes in Contemporary Electronic Dance Music (2021)The Functions of Continuous P…Understanding Agency from the Decks to the Dance Floor (2018)Understanding Agency from the…Outline of a Theory of Practice. (1980)Studying Popular Music (1990)Thinking in jazz: the infinite art of improvisation (1995)Hip-Hop Drumming: The Rhyme May Define, but the Groove Makes You Move (2002)Time, Place, and Metaphor in Musical Experience and Ethnography (2003)Transnational circulation and digital fatigue in Ghana's Azonto dance craze (2013)Ethnographic Atlas: A Summary (1967)Folk Song Style and Culture. (1969)Rhythm, Rhyme, and Rhetoric in the Music of Public Enemy (1995)Innate talents: Reality or myth? (1998)What Is Sociological about Music? (2010)Film Bodies: Gender, Genre, and Excess (1991)Fifty Key Concepts in Gender Studies (2004)Aggression and Sexual Behavior in Best-Selling Pornography Videos: A Content Analysis Update (2010)Garage band or GarageBand®? Remixing musical futures (2010)Formal Functions of Metric Dissonance in Rock Music (2014)Beats, flesh, and grain: sonic tactility and affect in electronic dance music (2015)"Anything But Heavy Metal": Symbolic Exclusion and Musical Dislikes (1996)Musicking: The Meanings of Performing and Listening (2000)What Are We Seeking to Sustain Through Culturally Sustaining Pedagogy? A Loving Critique Forward (2014)“It's cookin' now”: A performance analysis of the speech events of a Black teacher in an urban community college (1989)Suffering and its professional transformation: toward an ethnography of interpersonal experience (1991)The Flexibility Hypothesis of Healing (2016)The Theory of Participatory Discrepancies: A Progress Report (1995)The Aesthetics of the Global Imagination: Reflections on World Music in the 1990s (1996)Signs of Imagination, Identity, and Experience: A Peircian Semiotic Theory for Music (1999)Popular Culture as Oppositional Culture: Rap as Resistance (1997)A sonic geography of voice (2011)Europe's ordoliberal iron cage: critical political economy, the euro area crisis and its management (2015)Art music from 1800 to 1860 (1998)Popular song and popular music on stage and film (1998)The Cambridge History of American Music (1998)The Emperor Has No Clothes: Rewriting “Race in Organizations” (1992)If Meaning Is Constructed, What Is It Made From? Toward a Cultural Theory of Reading (2001)Is October Brown Chinese? A Cultural Modeling Activity System for Underachieving Students (2001)
this work references cited by second hop

References

  • 1990Hard core: power, pleasure, and "the frenzy of the visible"1,584 cited
  • 1995Black Noise: Rap Music and Black Culture in Contemporary America.1,444 cited
  • 1989The Signifying Monkey: A Theory of Afro-American Literary Criticism798 cited
  • 2006Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music375 cited
  • 2000Music Grooves: Essays and Dialogues356 cited
  • 1984Sound Structure as Social Structure346 cited
  • 1974Philosophy of Modern Music270 cited
  • 1999Riffs, Repetition, and Theories of Globalization151 cited
  • 1980African Rhythm and African Sensibility: Aesthetics and Social Action in African Musical Idioms150 cited
  • 1996All made of tunes: Charles Ives and the uses of musical borrowing131 cited
  • 2004(Ac)cumulative Form in Pop-Rock Music101 cited
  • 1983‘Play it again Sam’: Some notes on the productivity of repetition in popular music71 cited
  • 1996Die Krise der Psychologie?38 cited
  • 2002Towards a Typology of Minimalist Tropes33 cited

Cited by

  • 2018Understanding Agency from the Decks to the Dance Floor13 cited

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2025
When Donald Trump Dropped the Bass: The Weaponization of Dubstep in Internet Trolling Strategies, 2011–2016
13 cited
  • 2021The Functions of Continuous Processes in Contemporary Electronic Dance Music3 cited