Hanfu catwalk shows: A performance of Chinese femininities

Abstract

This article analyses the complex relationship between the construction of gender identities among young Chinese females and the practice of dressing up in Hanfu attire. The study employs the perspectives of dress as a situated embodied practice, the performativity of gender and the catwalk as a form of performance art. By drawing on an ethnography of self-defined Hanfu fans in Beijing, China, the authors investigate how the female participants construct femininities through performing on Hanfu catwalks. The ethnographic findings are that, first, the Hanfu catwalk mediates the intricate interplay of Chinese aesthetic norms and gender expression between performers and the audience. Second, wearing Hanfu is an embodied practice unifying the Hanfu costume style, gender construction and corporeal acts, situated in China’s sociopolitical context. Third, Chinese femininity is complex, with both flexibility and internal conflicts, reflecting China’s paradoxical modernization.

Cite this work

No public copy is stored for this record, so only the metadata is cited.

Stored only when both papers are in the corpus — 5 citations exist upstream.

Papers that cite the same references — the relational fallback while embeddings are still backfilling.