SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Best Song ever - forever?
16 references·0 citing·41 second hop
Best Song ever - forever? (2024)Best Song ever - forever?Groupies, Fangirls and Shippers: The Endurance of a Gender Stereotype (2021)Groupies, Fangirls and Shippe…8. I scream therefore i fan?: music audiences and affective citizenship (2020)8. I scream therefore i fan?:…Fake Geek Girls: Fandom, Gender, and the Convergence Culture Industry (2019)Fake Geek Girls: Fandom, Gend…Introduction: ageing celebrities, ageing fans, and ageing narratives in popular media culture (2018)Introduction: ageing celebrit…Creativity and ageing in fandom (2018)Creativity and ageing in fand…Authenticity in Culture, Self, and Society (2016)Authenticity in Culture, Self…'Rock On': Women, Ageing and Popular Music (2016)'Rock On': Women, Ageing and …Analysing Interviews (2014)Analysing InterviewsAgeing and youth cultures: music, style, and identity (2013)Ageing and youth cultures: mu…Who’s Steering the Mothership? The Role of the Fanboy Auteur in Transmedia Storytelling (2012)Who’s Steering the Mothership…Still kissing their posters goodnight: Female fandom and the politics of popular music (2012)Still kissing their posters g…Remembering the popular music of the 1990s: dance music and the cultural meanings of decade-based nostalgia (2012)Remembering the popular music…Life course transitions and the future of fandom (2011)Life course transitions and t…Eternal Fandom: Elderly Fans, the Media, and the Staged Divorce of aSchlagerSinger (2011)Eternal Fandom: Elderly Fans,…Introducing Communication Research: Paths of Inquiry (2010)Introducing Communication Res…Using thematic analysis in psychology (2006)Using thematic analysis in ps…Qualitative evaluation and research methods (1990)Qualitative Data Analysis: An Expanded Sourcebook (1994)Basics of qualitative research : techniques and procedures for developing grounded theory (1998)Older Adults' Reasons for Using Technology while Aging in Place (2015)Thematic Analysis (2017)Reflecting on reflexive thematic analysis (2019)Fandom: Identities and Communities in a Mediated World (2008)Fandom: identities and communities in a mediated world (2008)Celebrity, ageing and the construction of ‘third age’ identities (2014)Happily ever after? ‘Successful ageing’ and the heterosexual imaginary (2017)Modernity and Self-Identity: Self and Society in the Late Modern Age (2020)Mass Diffusion of Modern Digital Technologies as the Main Driver of Change in Sports-Spectating Audiences (2022)The Presentation of Self in Everyday Life. (1956)The Managed Heart: Commercialization of Human Feeling (1984)I -Pistemology: Changing truth claims in popular and political culture (2012)Driving it Home: How Workplace Emotional Labor Harms Employee Home Life (2013)Putting Identification in Motion: A Dynamic View of Organizational Identification (2019)Grounded theory research: Procedures, canons, and evaluative criteria (1990)Postmodernism, or, The cultural logic of late capitalism (1991)Uses of Heritage (2006)Remembering the 1960s: popular music and memory in Europe (2014)Narratives of popular music heritage and cultural identity: The affordances and constraints of popular music memories (2015)Cultural memory and the heritagisation of a music consumption community (2017)The Cambridge Companion to Hip-Hop (2015)Surfing through the life-course: silver surfers’ negotiation of ageing (2016)Conceptualising the Relationship Between Youth, Music and DIY Careers: A Critical Overview (2018)Crowdfunding: A Spimatic application of digital fandom (2014)World Building. Transmedia, Fans, Industries (2017)Star Wars and the History of Transmedia Storytelling (2018)Reading Film with Age Through Collaborative Autoethnography: Old Age and Care, Encounters with Amour (Haneke, 2012), Chronic (Franco, 2015) and A Woman’s Tale (Cox, 1991) (2018)YouTube, ageing and PJ Harvey: An ‘everyday’ story of the erasure of age (2018)Seasoned Musicians Playing Beyond the 5th Decade (2025)Nothing but a “titty streamer”: legitimacy, labor, and the debate over women’s breasts in video game live streaming (2019)‘When you get there, you will already be there’ (2020)Pay (to pay) to play: drillable immersion at transmedia theme parks (2022)Capabilities for data-driven innovation in B2B industrial companies (2023)Business analytics in managerial decision-making: top management perceptions (2024)What are interviews for? A qualitative study of employment interview goals and design (2024)Social comparison on Facebook: Motivation, affective consequences, self-esteem, and Facebook fatigue (2016)“The goal is to make you weaker”: Mental well-being and risks among European cross-border investigative journalists (2024)User continuance intention to use social commerce livestreaming shopping based on stimulus-organism-response theory (2025)
this work references cited by second hop

References

  • 2006Using thematic analysis in psychology193,725 cited
  • 2016Authenticity in Culture, Self, and Society519 cited
  • 2013Ageing and youth cultures: music, style, and identity175 cited
  • 2014Analysing Interviews163 cited
  • 2010Introducing Communication Research: Paths of Inquiry76 cited
  • 2016'Rock On': Women, Ageing and Popular Music58 cited
  • 2019Fake Geek Girls: Fandom, Gender, and the Convergence Culture Industry57 cited
  • 2011Life course transitions and the future of fandom47 cited
  • 2012Who’s Steering the Mothership? The Role of the Fanboy Auteur in Transmedia Storytelling40 cited
  • 2012Remembering the popular music of the 1990s: dance music and the cultural meanings of decade-based nostalgia32 cited
  • 2012Still kissing their posters goodnight: Female fandom and the politics of popular music30 cited
  • 2021Groupies, Fangirls and Shippers: The Endurance of a Gender Stereotype24 cited
  • 2018Introduction: ageing celebrities, ageing fans, and ageing narratives in popular media culture23 cited
  • 2018Creativity and ageing in fandom14 cited
  • 2011Eternal Fandom: Elderly Fans, the Media, and the Staged Divorce of aSchlagerSinger9 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

  • 20208. I scream therefore i fan?: music audiences and affective citizenship7 cited
  • Cited by

    No citing works inside the corpus for this window.