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The invisible divine in the history of art. Is Erwin Panofsky (1892–1968) still relevant for decoding Christian iconography?
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References

  • 2006Encyclopedia of religion766 cited
  • 1992Perspective as symbolic form565 cited
  • 1973Painting and Experience in Fifteenth Century Italy: A Primer in the Social History of Pictorial Style430 cited
  • 1994Die Wiederkehr der Bilder265 cited
  • 1940Studies in Iconology. Humanistic Themes in the Art of the Renaissance.245 cited
  • 1990Pictures, books, and the illiterate: Pope Gregory I's letters to Serenus of Marseilles237 cited
  • 1994The Invisible God226 cited
  • 1940Ut Pictura Poesis: The Humanistic Theory of Painting217 cited
  • 2012Iconoclasm as Discourse: From Antiquity to Byzantium205 cited
  • 2003Das bild als kommunikatives medium : elemente einer allgemeinen bildwissenschaft195 cited
  • 1959Encyclopedia of world art171 cited
  • 2008Picturing the Bible: the earliest Christian art138 cited
  • 2001Spiritual seeing: picturing God's invisibility in medieval art135 cited
  • 2005Face to face: portraits of the divine in early Christianity133 cited
  • 2011Religion and tourism: crossroads, destinations, and encounters132 cited
  • 2013Understanding Early Christian Art

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