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The “Restoration of the Restoration”: Investigation of a Complex Surface and Interface Pattern in the Roman Wall Paintings of Volsinii Novi (Bolsena, Central Italy)

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References

2001Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation1,052 cited
2005Earth pigments in painting: characterisation and differentiation by means of FTIR spectroscopy and SEM-EDS microanalysis177 cited
2008Green pigments of the Pompeian artists’ palette128 cited
2010Pigments used in Roman wall paintings in the Vesuvian area113 cited
2021Pigments—the palette of organic colourants in wall paintings60 cited
2021Wall paintings through the ages: the roman period—Republic and early Empire56 cited
2016What do we know of Roman wall painting technique? Potential confounding factors in ancient paint media analysis55 cited
2020Pigments on Roman Wall Painting and Stucco Fragments from the Monte d’Oro Area (Rome): A Multi-Technique Approach43 cited
2019Multi-analytical non-destructive investigation of pictorial apparatuses of “Villa della Piscina” in Rome42 cited
2022Assessment of Easily Accessible Spectroscopic Techniques Coupled with Multivariate Analysis for the Qualitative Characterization and Differentiation of Earth Pigments of Various Provenance38 cited
2024X-ray fluorescence (XRF) on painted heritage objects: a review using topic modeling34 cited
2014In situ Raman spectroscopy at the Voroneţ Monastery (16th century, Romania): New results for green and blue pigments28 cited
2018A methodological approach to study the stability of selected watercolours for painting reintegration, through reflectance spectrophotometry, Fourier transform infrared spectroscopy and hyperspectral imaging

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