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Write, record, optimize? How musicians reflect on music optimization strategies in the creative production process
16 references·2 citing·40 second hop
Write, record, optimize? How musicians reflect on music optimization strategies in the creative production process (2024)Write, record, optimize? How musicians re…Music Platforms and the Optimization of Culture (2020)Music Platforms and the Optim…Locating Power in Platformization: Music Streaming Playlists and Curatorial Power (2020)Locating Power in Platformiza…Spotify Teardown (2019)Spotify TeardownPlaying to the Crowd (2019)Playing to the Crowd“First Week Is Editorial, Second Week Is Algorithmic”: Platform Gatekeepers and the Platformization of Music Curation (2019)“First Week Is Editorial, Sec…What Makes Popular Culture Popular? Product Features and Optimal Differentiation in Music (2017)What Makes Popular Culture Po…Reluctant entrepreneurs: musicians and entrepreneurship in the ‘new’ music industry (2017)Reluctant entrepreneurs: musi…The Playlist Experience: Personal Playlists in Music Streaming Services (2015)The Playlist Experience: Pers…Want to be on the top? Algorithmic power and the threat of invisibility on Facebook (2012)Want to be on the top? Algori…Capturing Sound (2010)Capturing SoundCreativity and Cultural Production: A Study of Contemporary Western Popular Music Songwriting (2008)Creativity and Cultural Produ…The Production of Culture Perspective (2004)The Production of Culture Per…A matter of taste: how names, fashions, and culture change (2001)A matter of taste: how names,…The Field of Cultural Production: Essays on Art and Literature (1996)The Field of Cultural Product…The Social Self: On Being the Same and Different at the Same Time (1991)The Social Self: On Being the…The Discovery of Grounded Theory; Strategies for Qualitative Research (1968)The Discovery of Grounded The…The Social Life of an Optimised Song: Reconstructing the Networked Cycle of Digital Music-Making (2025)The Social Life of an Optimis…Self-Brand or Be Branded Out: The Convergence of Mainstream and Independent Music Talent Scouting Under Platform Capitalism (2025)Self-Brand or Be Branded Out:…Psychology of intergroup relations (1986)Rediscovering the Social Group: A Self‐Categorization Theory (1987)Culture and the Self: Implications for Cognition, Emotion, and Motivation (1991)Social Theory of International Politics (1999)Identity Theory and Social Identity Theory (2000)Social Identity and Self-Categorization Processes in Organizational Contexts (2000)Discipline and Punish: The Birth of the Prison (1978)Discipline and Punish: The Birth of the Prison. (1978)Framing: Toward Clarification of a Fractured Paradigm (1993)#Gamergate and The Fappening: How Reddit’s algorithm, governance, and culture support toxic technocultures (2015)Visibility labour: Engaging with Influencers’ fashion brands and #OOTD advertorial campaigns on Instagram (2016)The Hybrid Media System (2017)Media Technologies (2014)Genres as Social Affect: Cultivating Moods and Emotions through Playlists on Spotify (2019)The streaming network: Conceptualizing distribution economy, technology, and power in streaming media services (2020)Theory Building From Cases: Opportunities And Challenges (2007)Purposeful Sampling for Qualitative Data Collection and Analysis in Mixed Method Implementation Research (2013)Sample Size in Qualitative Interview Studies (2015)The Discovery of Grounded Theory (2017)The Social Construction of Reality (1967)The Iron Cage Revisited: Institutional Isomorphism and Collective Rationality in Organizational Fields (1983)The iron cage revisited institutional isomorphism and collective rationality in organizational fields (2004)Bourdieu, the media and cultural production (2006)Class Advantage, Commitment Penalty (2016)The Social Construction of Reality: A Treatise in the Sociology of Knowledge. (1967)Cycles in Symbol Production: The Case of Popular Music (1975)Creating Country Music (1997)Cultural Entrepreneurship (2019)Computational Social Science and Sociology (2020)Ghost in the Machine: On Organizational Theory in the Age of Machine Learning (2020)The fourth pillar of sustainability: culture’s essential role in public planning (2001)The Mediatization of Society (2008)The Constant Comparative Analysis Method Outside of Grounded Theory (2015)The Study of Boundaries in the Social Sciences (2002)Problems in comparative research: The example of omnivorousness (2005)Eviction and the Reproduction of Urban Poverty (2012)Folk theories of algorithmic recommendations on Spotify: Enacting data assemblages in the global South (2020)The dimensions of streaming: toward a typology of an evolving concept (2020)What the digitalisation of music tells us about capitalism, culture and the power of the information technology sector (2017)Music as a Technology of Surveillance (2018)
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References

  • 1968The Discovery of Grounded Theory; Strategies for Qualitative Research39,440 cited
  • 1991The Social Self: On Being the Same and Different at the Same Time5,103 cited
  • 1996The Field of Cultural Production: Essays on Art and Literature4,672 cited
  • 2012Want to be on the top? Algorithmic power and the threat of invisibility on Facebook1,301 cited
  • 2004The Production of Culture Perspective705 cited
  • 2001A matter of taste: how names, fashions, and culture change354 cited
  • 2010Capturing Sound297 cited
  • 2017What Makes Popular Culture Popular? Product Features and Optimal Differentiation in Music264 cited
  • 2015The Playlist Experience: Personal Playlists in Music Streaming Services216 cited
  • 2019Spotify Teardown212 cited
  • 2019“First Week Is Editorial, Second Week Is Algorithmic”: Platform Gatekeepers and the Platformization of Music Curation197 cited
  • 2019Playing to the Crowd197 cited
  • 2020Locating Power in Platformization: Music Streaming Playlists and Curatorial Power175 cited
  • 2017Reluctant entrepreneurs: musicians and entrepreneurship in the ‘new’ music industry174 cited
  • 2020Music Platforms and the Optimization of Culture153 cited

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  • 2008Creativity and Cultural Production: A Study of Contemporary Western Popular Music Songwriting142 cited
  • Cited by

    • 2025Self-Brand or Be Branded Out: The Convergence of Mainstream and Independent Music Talent Scouting Under Platform Capitalism7 cited
    • 2025The Social Life of an Optimised Song: Reconstructing the Networked Cycle of Digital Music-Making5 cited