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ScrollTimes: Tracing the Provenance of Paintings as a Window Into History
6 references·0 citing·17 second hop
ScrollTimes: Tracing the Provenance of Paintings as a Window Into History (2024)ScrollTimes: Tracing the Provenance of Pa…A Knowledge Management Architecture for Digital Cultural Heritage (2017)A Knowledge Management Archit…Provenance: an alternate history of art (2013)Provenance: an alternate hist…Celebrity Contagion and the Value of Objects (2011)Celebrity Contagion and the V…Eyewitnessing: the uses of images as historical evidence (2002)Eyewitnessing: the uses of im…Goddesses Who Rule (2000)Goddesses Who RuleEmpty and full: the language of Chinese painting (1995)Empty and full: the language …Culture and Consumption: A Theoretical Account of the Structure and Movement of the Cultural Meaning of Consumer Goods (1986)Possessions and the Extended Self (1988)Who is the Celebrity Endorser? Cultural Foundations of the Endorsement Process (1989)Authenticity is Contagious: Brand Essence and the Original Source of Production (2014)The inherence heuristic: An intuitive means of making sense of the world, and a potential precursor to psychological essentialism (2014)Authenticity (2018)Fontes visuais, cultura visual, história visual: balanço provisório, propostas cautelares (2003)On “Having Been There”: “Eyewitnessing” as a Journalistic Key Word (2007)Visual and Multimodal Communication (2020)Wiki Loves Monuments: Crowdsourcing the Collective Image of the Worldwide Built Heritage (2022)“I wish I could use any language as it comes to mind”: User experience in digital platforms in the context of multilingual personal information management (2024)Design of a virtual reality serious game for experiencing the colors of Dunhuang frescoes (2024)Locality from Hybridization to Integration: Cultural Politics and Space Production of Taiwan Mazu Temples in Mainland China (2022)Growing in Motion: The Circulation of Used Things on Second-hand Markets (2015)Art as a Wartime Investment: Conspicuous Consumption and Discretion (2016)Itinerant Objects (2019)Intimacy, Psyche, and Spirit in the Experience of Chinese and Japanese Calligraphy (2001)
this work references cited by second hop

References

  • 2002Eyewitnessing: the uses of images as historical evidence518 cited
  • 2011Celebrity Contagion and the Value of Objects355 cited
  • 2013Provenance: an alternate history of art66 cited
  • 1995Empty and full: the language of Chinese painting54 cited
  • 2017A Knowledge Management Architecture for Digital Cultural Heritage46 cited
  • 2000Goddesses Who Rule5 cited

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