References

• 2011Advances in multispectral and hyperspectral imaging for archaeology and art conservation523 cited
• 2016Reflectance Hyperspectral Imaging for Investigation of Works of Art: Old Master Paintings and Illuminated Manuscripts333 cited
• 2008Visualization of a Lost Painting by Vincent van Gogh Using Synchrotron Radiation Based X-ray Fluorescence Elemental Mapping320 cited
• 2013A mobile instrument for in situ scanning macro-XRF investigation of historical paintings269 cited
• 2017Real-time elemental imaging of large dimension paintings with a novel mobile macro X-ray fluorescence (MA-XRF) scanning technique134 cited
• 2019Seeing red: towards an improved protocol for the identification of madder- and cochineal-based pigments by fiber optics reflectance spectroscopy (FORS)98 cited
• 2018XRF and reflectance hyperspectral imaging on a 15th century illuminated manuscript: combining imaging and quantitative analysis to understand the artist’s technique54 cited
• 2013Non-invasive differentiation between natural and synthetic ultramarine blue pigments by means of 250–900 nm FORS analysis49 cited
• 2018Joint data treatment for Vis–NIR reflectance imaging spectroscopy and XRF imaging acquired in the Theban Necropolis in Egypt by data fusion and t-SNE49 cited
• 2020From remote sensing and machine learning to the history of the Silk Road: large scale material identification on wall paintings42 cited
• 2021Reflectance Imaging Spectroscopy (RIS) for Operation Night Watch: Challenges and Achievements of Imaging Rembrandt’s Masterpiece in the Glass Chamber at the Rijksmuseum35 cited
• 2020