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Heroic Vulnerability and the Vietnamese Refugee Experience in Thi Bui’s The Best We Could Do
13 references·0 citing·31 second hop
Heroic Vulnerability and the Vietnamese Refugee Experience in Thi Bui’s The Best We Could Do (2024)Heroic Vulnerability and the Vietnamese R…Beyond the Icon: Asian American Graphic Narratives (2022)Beyond the Icon: Asian Americ…Immigrants and Comics (2021)Immigrants and ComicsIntroduction: Discursive Contexts, “Voice,” and Empathy in Graphic Life Narratives of Migration and Exile (2020)Introduction: Discursive Cont…Documenting Trauma in Comics (2020)Documenting Trauma in ComicsRepresentation and Memory in Graphic Novels (2019)Representation and Memory in …The Trauma Graphic Novel (2017)The Trauma Graphic NovelRefugee Comics and Migrant Topographies (2017)Refugee Comics and Migrant To…Nothing Ever Dies (2016)Nothing Ever DiesDisaster Drawn (2016)Disaster DrawnGraphic Novels (2012)Graphic NovelsAutobiographical Comics (2012)Autobiographical ComicsCruel Optimism (2011)Cruel OptimismAutographics: The Seeing "I" of the Comics (2006)Autographics: The Seeing "I" …Comics and Sequential Art (1985)Understanding Comics: The Invisible Art (1998)Globalization and the Claims of Postcoloniality (2001)Autographic Disclosures and Genealogies of Desire in Alison Bechdel's Fun Home (2008)Self-Regarding Art (2008)Graphic medicine: comics as medical narrative (2012)Frames of war: when is life grievable? (2010)Graphic subjects: critical essays on autobiography and graphic novels (2011)Braided geographies: bordered forms and cross-border formations in refugee comics (2019)Graphic Lives, Visual Stories: Reflections on Practice, Participation, and the Potentials of Creative Engagement (2020)Migrant Detention Comics and the Aesthetic Technologies of Compassion (2020)History in Transit (2004)History in Transit: Experience, Identity, Critical Theory (2004)Representing the unrepresented: precarity of refugeehood in Vanni: a family’s struggle through the Sri Lankan conflict (2023)Introduction: Documenting Trauma in Comics (2020)Trauma, Memory, History and its Counter Narration in Thi Bui’s Graphic MemoirThe Best We Could Do (2020)Introduction: transnational Italian comics: memory, migration, transformation (2023)Drawing (in) the Feminine: Bande Dessinée and Women (2024)Feeling your pain: empathy in comics (2021)Why comics? From underground to everywhere (2018)Apocalypse yesterday: Posthumanism and comics in the Anthropocene (2019)Comics-based research: The affordances of comics for research across disciplines (2020)The Long Shadow of the Spanish Civil War (2020)Reckoning with Asian America and the New Culture War on Affirmative Action* (2021)Exploring inclusive victimhood narratives: the case of Bosnia-Herzegovina (2023)“They All Lived Happily Ever After. Obviously.”: Realism and Utopia in Game of Thrones-Based Alternate Universe Fairy Tale Fan Fiction (2016)Doubt and the Algorithm: On the Partial Accounts of Machine Learning (2019)Policing Atmospheres: Crowds, Protest and ‘Atmotechnics’ (2019)Looking on the Dark and Bright Side: Creative Metaphors of Depression in Two Graphic Memoirs (2014)The Politics of Comics: Popular Modernism, Abstraction, and Experimentation (2015)The Cambridge History of the Graphic Novel (2018)
this work references cited by second hop

References

  • 2011Cruel Optimism566 cited
  • 2016Nothing Ever Dies395 cited
  • 2006Autographics: The Seeing "I" of the Comics284 cited
  • 2016Disaster Drawn268 cited
  • 2012Autobiographical Comics190 cited
  • 2019Representation and Memory in Graphic Novels34 cited
  • 2017Refugee Comics and Migrant Topographies31 cited
  • 2020Documenting Trauma in Comics24 cited
  • 2017The Trauma Graphic Novel24 cited
  • 2020Introduction: Discursive Contexts, “Voice,” and Empathy in Graphic Life Narratives of Migration and Exile14 cited
  • 2022Beyond the Icon: Asian American Graphic Narratives10 cited
  • 2021Immigrants and Comics10 cited
  • 2012Graphic Novels6 cited

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