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You Call This Fun? Reactions of Young First-time Attendees to a Classical Concert
5 references·5 citing·34 second hop
You Call This Fun? Reactions of Young First-time Attendees to a Classical Concert (2000)You Call This Fun? Reactions of Young Fir…Towards an aesthetic of popular music (2017)Towards an aesthetic of popul…The land without music: music, culture and society in twentieth-century Britain (1999)The land without music: music…Standing Room Only: Strategies for Marketing the Performing Arts (1997)Standing Room Only: Strategie…Performing rites: on the value of popular music (1997)Performing rites: on the valu…Distinction: A Social Critique of the Judgement of Taste. (1985)Distinction: A Social Critiqu…The Behavioural Economics of Music: Systematic review and future directions (2022)The Behavioural Economics of …Environmental factors affecting classical music concert experience (2022)Environmental factors affecti…New Possibilities in Cultural Consumption. The Effect of the Global Pandemic on Listening to Music (2021)New Possibilities in Cultural…In Defence of the Familiar: Understanding Conservatism in Concert Selection Amongst Classical Music Audiences (2020)In Defence of the Familiar: U…Suggestions for Audience Development on Classical Music Mass Audience : Focusing on the Characteristics of Omnivore in Ensemble DITTO Audience (2015)Suggestions for Audience Deve…Cultural Capital and School Success: The Impact of Status Culture Participation on the Grades of U.S. High School Students (1982)Understanding audience segmentation: From elite and mass to omnivore and univore (1992)Changing Highbrow Taste: From Snob to Omnivore (1996)Using thematic analysis in psychology (2006)Basics of qualitative research : techniques and procedures for developing grounded theory (2008)Interpretative Phenomenological Analysis: Theory, Method and Research (2010)Bach, Beethoven and Brahms again? A computational view on the de facto canon of classical orchestral music in Germany and the USA at the beginning of the 21st century (2025)Disruptive technologies: catching the wave (1995)Culture, Class, and Connections (1996)Musicking: the meanings of performing and listening (1999)Judgment under Uncertainty: Heuristics and Biases (1974)Prospect Theory: An Analysis of Decision under Risk (1979)Preferred reporting items for systematic reviews and meta-analyses: the PRISMA statement (2009)‘Do songs tell stories?’ An empirical analysis of the effect of emotional arcs on success in a national song contest (2025)Coefficient Alpha and the Internal Structure of Tests (1951)Conflict, arousal, and curiosity. (1960)Seeing music performance: Visual influences on perception and experience (2005)Immediate and lasting experiences of a classical concert (2025)The effects of concert formats on classical concertgoers (2025)Linking Organizational Values to Relationships with External Constituents: A Study of Nonprofit Professional Theatres (2000)Applying the marketing concept to cultural organisations: an empirical study of the relationship between market orientation and performance (2002)Enhancing the application of experiential marketing in the arts (2004)Freaks, gold diggers, divas, and dykes: The sociohistorical development of adolescent African American women’s sexual scripts (2003)Problems in comparative research: The example of omnivorousness (2005)Classification as Culture: Types and Trajectories of Music Genres (2008)Gender, Heteroglossia and Power (2001)Towards a cultural sociology of popular music (2008)‘I Always Remember That Moment’: Peak Music Experiences as Epiphanies (2015)Notes on the theory of the actor-network: Ordering, strategy, and heterogeneity (1992)Consumption and Theories of Practice (2005)Income inequality and population health: A review and explanation of the evidence (2005)Music and the Politics of Sound: Nationalism, Citizenship, and Auditory Space (2000)The effect of generational change on classical music concert attendance and orchestras' responses in the UK and US (2001)Music festival sponsorship: between commerce and carnival (2011)
this work references cited by second hop

References

  • 1985Distinction: A Social Critique of the Judgement of Taste.14,091 cited
  • 1997Performing rites: on the value of popular music1,310 cited
  • 1997Standing Room Only: Strategies for Marketing the Performing Arts291 cited
  • 2017Towards an aesthetic of popular music110 cited
  • 1999The land without music: music, culture and society in twentieth-century Britain72 cited

Cited by

  • 2022Environmental factors affecting classical music concert experience17 cited
  • 2022The Behavioural Economics of Music: Systematic review and future directions10 cited
  • 2020In Defence of the Familiar: Understanding Conservatism in Concert Selection Amongst Classical Music Audiences10 cited
  • 2021New Possibilities in Cultural Consumption. The Effect of the Global Pandemic on Listening to Music5 cited
  • 2015Suggestions for Audience Development on Classical Music Mass Audience : Focusing on the Characteristics of Omnivore in Ensemble DITTO Audience2 cited

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