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Towards a Sustainable Preservation of Medieval Colors through the Identification of the Binding Media, the Medieval Tempera

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References

1995Identification by Raman Microscopy and Visible Reflectance Spectroscopy of Pigments on an Icelandic Manuscript127 cited
1997Pigment identification on medieval manuscripts, paintings and other artefacts by Raman microscopy: applications to the study of three German manuscripts109 cited
2010Raman microscopy and x-ray fluorescence analysis of pigments on medieval and Renaissance Italian manuscript cuttings99 cited
2009The examination of the Book of Kells using micro‐Raman spectroscopy82 cited
2012First analytical evidences of precious colourants on Mediterranean illuminated manuscripts79 cited
2003Analysis of green copper pigments in illuminated manuscripts by micro-Raman spectroscopy79 cited
2004Analysis of key Anglo‐Saxon manuscripts (8–11th centuries) in the British Library: pigment identification by Raman microscopy68 cited
2019New Insights into Synthetic Copper Greens: The Search for Specific Signatures by Raman and Infrared Spectroscopy for Their Characterization in Medieval Artworks60 cited
1997Raman Microscopy Study of the Pigments on Three Illuminated Mediaeval Latin Manuscripts56 cited
2014A Spectroscopic Study of Brazilwood Paints in Medieval Books of Hours55 cited
2009Investigation of the painting materials and techniques of the late‐15th century manuscript illuminator Jean Bourdichon55 cited
2016Organic dyes in illuminated manuscripts: a unique cultural and historic record52 cited
2012Micro‐Raman study of Medieval Cistercian 12–13th century manuscripts: Santa Maria de Alcobaça, Portugal

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