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The Existence of Aesthetic Transformation in Traditional Batik Colors Based on the Review of Memetics Theory (Case Study: Traditional Batik in Tuban, East Java, Indonesia)
15 references·1 citing·44 second hop
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References

  • 2003Culture-Based Knowledge Towards New Design Thinking and Practice—A Dialogue197 cited
  • 2021The Meaning of “Phenomenology”: Qualitative and Philosophical Phenomenological Research Methods128 cited
  • 2012Weaving with Rush: Exploring Craft-Design Collaborations in Revitalizing a Local Craft78 cited
  • 2012Transforming tradition: A method for maintaining tradition in a craft and design context46 cited
  • 2022Rethinking culture and creativity in the digital transformation39 cited
  • 2022Transforming “Ritual Cultural Features” into “Modern Product Forms”: A Case Study of Ancient Chinese Ritual Vessels27 cited
  • 1996Cultural evolution and the variable phenotype27 cited
  • 2022On the Dynamics of Human Behavior: The Past, Present, and Future of Culture, Conflict, and Cooperation13 cited
  • 2021Kriya Bebali in Bali: Its essence, symbolic, and aesthetic11 cited
  • 2021Representation of the greatness of Kambang Putih Seaport in the past on Ganggeng motif9 cited
  • 2013Tradition and Transformation of Batik in Indonesia7 cited
  • 2011Revival of Punjab’s Traditional Handicraft: Phulkari6 cited
  • 2020Transformation Tradition: Incorporating Technology and Local Culture in Sundanese Script5 cited
  • 2022APPLICATION OF JBATIK TECHNOLOGY IN THE DEVELOPMENT OF MOTIF DESIGN FOR TRADITIONAL BATIK CRAFTSMEN

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5 cited
  • 2019Literature Review on Spatial Order of Ancient Javanese Cultural Landscape: It May Contains Spatial Continuum Idea4 cited
  • Cited by

    • 2025Development of Gedog batik crafts using pyramid guide innovation of traditional artefacts1 cited