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Connecting palettes — An integrated spectroscopic analysis and UMAP visualisation of Wu Guanzhong's paint palette and his painting

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References

2001Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation1,052 cited
2014Characterisation of colourants on illuminated manuscripts by portable fibre optic UV-visible-NIR reflectance spectrophotometry358 cited
2000Raman spectroscopic database of azo pigments and application to modern art studies222 cited
2005The colour of ochres explained by their composition204 cited
2012Identification of synthetic organic pigments: the role of a comprehensive digital Raman spectral library174 cited
2019Seeing red: towards an improved protocol for the identification of madder- and cochineal-based pigments by fiber optics reflectance spectroscopy (FORS)98 cited
2021Application of Uniform Manifold Approximation and Projection (UMAP) in spectral imaging of artworks96 cited
2009LC/MS and LC/MS/MS based protocol for identification of dyes in historic textiles85 cited
2012Applications of Raman spectroscopy in art and archaeology70 cited
2017Van Gogh’s Irises and Roses: the contribution of chemical analyses and imaging to the assessment of color changes in the red lake pigments70 cited
2012Contribution to the identification of α‐, β‐ and ε‐copper phthalocyanine blue pigments in modern artists' paints by X‐ray powder diffraction, attenuated total reflectance micro‐fourier transform infrared spectroscopy and micro‐Raman spectroscopy68 cited
2020A Mass Spectrometry-Based Approach for Characterization of Red, Blue, and Purple Natural Dyes

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