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Decolonial Practices around “Portrait of a Man in a Red Suit” (formerly “Portrait of an African”), in the Royal Albert Memorial Museum (RAMM), Exeter
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Decolonial Practices around “Portrait of a Man in a Red Suit” (formerly “Portrait of an African”), in the Royal Albert Memorial Museum (RAMM), Exeter (2024)Decolonial Practices around “Portrait of …Rediscovering Black Portraiture (2023)Rediscovering Black Portraitu…African Europeans: an untold history (2021)African Europeans: an untold …Decolonizing Art History (2020)Decolonizing Art HistoryPosing Modernity: The Black Model From Manet And Matisse To Today (2019)Posing Modernity: The Black M…Posing Modernity: The Black Model from Manet and Matisse to Today (2018)Posing Modernity: The Black M…Slave Portraiture in the Atlantic World (2013)Slave Portraiture in the Atla…Revealing the African presence in Renaissance Europe (2013)Revealing the African presenc…The South Kensington Museum and the colonial project (2012)The South Kensington Museum a…Black Victorians: black people in British art, 1800-1900 (2006)Black Victorians: black peopl…:Things of Darkness: Economies of Race and Gender in Early Modern England (1996):Things of Darkness: Economie…Hogarth's Blacks: Images of Blacks in Eighteenth Century English Art (1988)Hogarth's Blacks: Images of B…The Painting of Modern Life: Paris in the Art of Manet and His Followers (1985)Contesting Knowledge: Museums and Indigenous Perspectives (2010)Decolonization is not a metaphor (2012)Decolonizing Methodologies: Research and Indigenous Peoples (2013)The issue is moot: Decolonizing art/artifact (2021)Art histories from nowhere: on the coloniality of experiments in art and artificial intelligence (2023)What can art history offer medical humanities? (2024)Displaying Sara Baartman, the ‘Hottentot Venus’ (2004)'In a Country of Liberty?': Slavery, Villeinage and the Making of Whiteness in the Somerset Case (1772) (2011)Acting Black, 1824: Charles Mathews's Trip to America (2011)Le Modèle noir de Géricault à Matisse (2019)Exotic Aesthetics: Representations of Blackness in Nineteenth-Century Russian Painting (2021)Visitors’ discursive responses to hegemonic and alternative museum narratives: a case study of Le Modèle Noir (2021)The Return of the Native: Organizational Discourses and the Legacy of the Ethnographic Imagination (2003)Exchange and the Protection of Java's Antiquities: A Transnational Approach to the Problem of Heritage in Colonial Java (2013)‘Specimens Distributed’ (2019)Mapping the Idea of Europe – Cultural Production of Border Imaginaries through Heritage (2021)Black Mediterranean geographies: translation and the mattering of Black Life in Italy (2022)Reflexivity and the perpetuation of inequality in the cultural sector: half awake in a fake empire? (2022)The City of Others: Photographs from the City of London Asylum Archive (2011)The politics of museal hospitality: Sonia Boyce’s neo-Victorian takeover inSix Acts (2020)Friction and Failure in the Secondary Art Classroom: Cultivating Decolonial Transformative Pedagogies of Hope (2023)The Invention of the Maghreb (2021)Penned by Encounter: Visibility and Invisibility of the Cross-Cultural in Images from Early Modern Franciscan Missions in Central Africa and Central Mexico (2022)Materializing the Global: Textiles, Color, and Race in a Genoese Portrait by Anthony van Dyck (2023)Literature and London (2003)The Cambridge History of Early Modern English Literature (2003)Racialized modernity: An analytics of white mythologies (2007)Capturing the likeness of Henry I of Haiti (1805–1822) (2016)"El mucho número que hay dellos": El valiente negro en Flandes y los esgrimistas afrohispanos de Grandezas de la espada (2018)Beyond Babel (2020)
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References

  • 1996:Things of Darkness: Economies of Race and Gender in Early Modern England347 cited
  • 1988Hogarth's Blacks: Images of Blacks in Eighteenth Century English Art131 cited
  • 2021African Europeans: an untold history105 cited
  • 2013Slave Portraiture in the Atlantic World98 cited
  • 2013Revealing the African presence in Renaissance Europe86 cited
  • 2020Decolonizing Art History81 cited
  • 2012The South Kensington Museum and the colonial project39 cited
  • 2019Posing Modernity: The Black Model From Manet And Matisse To Today39 cited
  • 2018Posing Modernity: The Black Model from Manet and Matisse to Today35 cited
  • 2006Black Victorians: black people in British art, 1800-190029 cited
  • 2023Rediscovering Black Portraiture13 cited

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