Transnational Chinese Beautyscapes: Ghetto Glamour and Fake Beauty in Abidjan

Abstract

This article explores how beauty and fashion practices and imagination have evolved in Ivory Coast since the early 2000s, using secondary sources and ethnographic research conducted in Abidjan in 2017. In addition to identifying alternatives to prevalent Western norms of beauty and style, the article highlights the expansion of Chinese beautyscapes and the ongoing Sinonization of local fashion and aesthetic cultures. It also draws attention to the contradictory features of bobaraba, a term increasingly used to describe Chinese-made clothing and beauty accessories. Though bobaraba is praised as a ghetto glamour and an expression of the urban poor's participation in the global consumer culture, it is frequently viewed as “fake beauty” intended to create an illusion of beauty. This article demonstrates that Chinese consumer goods are increasingly influencing contemporary African fashion culture, beauty ideals, body stylisation, and even sexuality.

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