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Wielogłos portugalskiego Południa
8 references·0 citing·18 second hop
Wielogłos portugalskiego Południa (2024)Wielogłos portugalskiego PołudniaLos tiempos y las modas del cante alentejano (2022)Los tiempos y las modas del c…O canto alentejano: formas de resistência e horizontes de expetativa (2021)O canto alentejano: formas de…Muzyka bez granic (2019)Muzyka bez granicCreativity and innovation in Cante from the Estado Novo to the present (2019)Creativity and innovation in …O społecznym charakterze muzyki. Szkic socjologiczny (2018)O społecznym charakterze muzy…Memorylands (2013)MemorylandsUses of Heritage (2006)Uses of HeritageVozes do Povo (2003)Vozes do PovoGeorg Simmel and the Sociology of Music (1964)Społeczne zróżnicowanie gustu muzycznego (2020)Fado and the Place of Longing: Loss, Memory and the City (2010)Fado Resounding (2013)Fado Resounding: Affective Politics and Urban Life (2013)Marxism and Literature (1978)Nationalism and the Politics of Culture in Quebec (1990)Breve historia del neoliberalismo (2007)The Past is a Foreign Country. (1987)La cultura popular en la Europa moderna (1990)Los dominados y el arte de la resistencia (2003)The politics of music categorization in Portugal (2013)Negotiating Authentic Objects and Authentic Selves (2010)The recognition and misrecognition of community heritage (2010)Clarifying the critical in critical heritage studies (2012)Is ‘Difficult Heritage’ Still ‘Difficult’? (2015)Iconic Religion in Urban Space (2016)A bibliometric analysis of cultural heritage research in the humanities: The Web of Science as a tool of knowledge management (2023)
this work references cited by second hop

References

  • 2006Uses of Heritage4,077 cited
  • 2013Memorylands674 cited
  • 2003Vozes do Povo40 cited
  • 2018O społecznym charakterze muzyki. Szkic socjologiczny10 cited
  • 2019Muzyka bez granic6 cited
  • 2019Creativity and innovation in Cante from the Estado Novo to the present2 cited
  • 2021O canto alentejano: formas de resistência e horizontes de expetativa2 cited
  • 2022Los tiempos y las modas del cante alentejano2 cited

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