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Exploring the viability of combined laser-induced breakdown spectroscopy and Raman spectroscopy for stratigraphic analysis of murals containing isomeric pigments: a case study on realgar and orpiment
16 references·0 citing·32 second hop
Exploring the viability of combined laser-induced breakdown spectroscopy and Raman spectroscopy for stratigraphic analysis of murals containing isomeric pigments: a case study on realgar and orpiment (2024)Exploring the viability of combined laser…Applications of laser-induced breakdown spectroscopy for cultural heritage: A comparison with X-ray Fluorescence and Particle Induced X-ray Emission techniques (2018)Applications of laser-induced…On‐site Raman study of artwork: Procedure and illustrative examples (2017)On‐site Raman study of artwor…The role of mobile instrumentation in novel applications of Raman spectroscopy: archaeometry, geosciences, and forensics (2014)The role of mobile instrument…Conservation of natural and cultural heritage in Dunhuang, China (2013)Conservation of natural and c…The on‐site/remote Raman analysis with mobile instruments: a review of drawbacks and success in cultural heritage studies and other associated fields (2012)The on‐site/remote Raman anal…Spectroscopic analysis of works of art using a single LIBS and pulsed Raman setup (2009)Spectroscopic analysis of wor…Surface‐enhanced Raman scattering for identification of organic pigments and dyes in works of art and cultural heritage material (2007)Surface‐enhanced Raman scatte…An example of the complementarity of laser‐induced breakdown spectroscopy and Raman microscopy for wall painting pigments analysis (2007)An example of the complementa…A Decade of Raman Spectroscopy in Art and Archaeology (2007)A Decade of Raman Spectroscop…Raman spectroscopy in art and archaeology (2004)Raman spectroscopy in art and…Raman spectroscopic study of cinnabar (HgS), realgar (As4S4), and orpiment (As2S3) at 298 and 77K (2002)Raman spectroscopic study of …Pigment identification in paintings employing laser induced breakdown spectroscopy and Raman microscopy (2001)Pigment identification in pai…Characterization of azurite and lazurite based pigments by laser induced breakdown spectroscopy and micro-Raman spectroscopy (2001)Characterization of azurite a…Analysis of pigments in polychromes by use of laser induced breakdown spectroscopy and Raman microscopy (2000)Analysis of pigments in polyc…Laser Diagnostics of Painted Artworks: Laser-Induced Breakdown Spectroscopy in Pigment Identification (1997)Laser Diagnostics of Painted …Contribution of Raman spectroscopy to art and history (1994)Contribution of Raman spectro…Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Raman spectroscopy of selected copper minerals of significance in corrosion (2003)Handheld XRF for Art and Archaeology (2013)Raman microscopy: application to the identification of pigments on medieval manuscripts (1995)A study of amber and copal samples using FT-Raman spectroscopy (2001)Structural characterization of corrosion products on archaeological iron: an integrated analytical approach to establish corrosion forms (2004)μ-XRF/μ-RS vs. SR μ-XRD for pigment identification in illuminated manuscripts (2008)Recent progress in instrumental techniques for architectural heritage materials (2019)High Performance Liquid Chromatography of Anthraquinones: Analysis of Plant and Insect Extracts and Dyed Textiles (1985)Raman microscopy in archaeological science (2004)Ad-hoc Surface-Enhanced Raman Spectroscopy Methodologies for the Detection of Artist Dyestuffs: Thin Layer Chromatography-Surface Enhanced Raman Spectroscopy and in Situ On the Fiber Analysis (2009)Identification of Organic Colorants in Fibers, Paints, and Glazes by Surface Enhanced Raman Spectroscopy (2010)SERS detection of red organic dyes in Ag‐agar gel (2012)Modern analytical methods in art and archaeology (2000)Raman identification of natural red to yellow pigments: ochre and iron‐containing ores (2008)Analytical Methods for the Characterization of Organic Dyes in Artworks and in Historical Textiles (2009)Laser-Induced Fluorescence of Oil Colours and Its Application to the Identification of Pigments in Oil Paintings (1982)Identification by Raman microscopy and visible reflectance spectroscopy of pigments on an Icelandic manuscript (1995)Laser-Induced Fluorescence in Artwork Diagnostics: An Application in Pigment Analysis (1996)Laser induced breakdown spectroscopy and hyper-spectral imaging analysis of pigments on an illuminated manuscript (2001)Pigment identification by spectroscopic means: an arts/science interface (2002)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Analysis of natural and artificial ultramarine blue pigments using laser induced breakdown and pulsed Raman spectroscopy, statistical analysis and light microscopy (2008)Differentiation of antique ceramics from the Raman spectra of their coloured glazes and paintings (2001)In Situ Noninvasive Study of Artworks: The MOLAB Multitechnique Approach (2010)Proteins in Art, Archaeology, and Paleontology: From Detection to Identification (2015)Analytical chemistry in the field of cultural heritage (2015)Raman Spectroscopy of cultural heritage Materials: Overview of Applications and New Frontiers in Instrumentation, Sampling Modalities, and Data Processing (2016)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)A new compact instrument for Raman, laser-induced breakdown, and laser-induced fluorescence spectroscopy of works of art and their constituent materials (2009)
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References

  • 2007A Decade of Raman Spectroscopy in Art and Archaeology383 cited
  • 1997Laser Diagnostics of Painted Artworks: Laser-Induced Breakdown Spectroscopy in Pigment Identification222 cited
  • 2014The role of mobile instrumentation in novel applications of Raman spectroscopy: archaeometry, geosciences, and forensics191 cited
  • 2012The on‐site/remote Raman analysis with mobile instruments: a review of drawbacks and success in cultural heritage studies and other associated fields168 cited
  • 2001Pigment identification in paintings employing laser induced breakdown spectroscopy and Raman microscopy152 cited
  • 2007Surface‐enhanced Raman scattering for identification of organic pigments and dyes in works of art and cultural heritage material112 cited
  • 2001Characterization of azurite and lazurite based pigments by laser induced breakdown spectroscopy and micro-Raman spectroscopy112 cited
  • 2004Raman spectroscopy in art and archaeology86 cited
  • 2000Analysis of pigments in polychromes by use of laser induced breakdown spectroscopy and Raman microscopy85 cited
  • 2007An example of the complementarity of laser‐induced breakdown spectroscopy and Raman microscopy for wall painting pigments analysis82 cited
  • 2018Applications of laser-induced breakdown spectroscopy for cultural heritage: A comparison with X-ray Fluorescence and Particle Induced X-ray Emission techniques79 cited
  • 2009Spectroscopic analysis of works of art using a single LIBS and pulsed Raman setup75 cited
  • 2013

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Conservation of natural and cultural heritage in Dunhuang, China
54 cited
  • 1994Contribution of Raman spectroscopy to art and history49 cited
  • 2002Raman spectroscopic study of cinnabar (HgS), realgar (As4S4), and orpiment (As2S3) at 298 and 77K47 cited
  • 2017On‐site Raman study of artwork: Procedure and illustrative examples44 cited
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