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Echo and Reverb
0 references·7 citing·22 second hop
Echo and Reverb (2005)Echo and Reverb‘An essential tool for creativity’: technologies, spaces and discourse within pop music production (2021)‘An essential tool for creati…Wireless Imaginations (2020)Wireless ImaginationsSound City and music from the outskirts: the de-democratisation of pop music production (2020)Sound City and music from the…Notions of intimate publicness and the American do-it-yourself music spaces (2017)Notions of intimate publicnes…Social distance and the multimodal construction of the Other in sectarian song (2015)Social distance and the multi…‘The most Martian of Martianesses’: Zhanna Aguzarova, (post-)Soviet rock ‘n’ roll, and the musico-linguistic creation of the ‘outside’ (2014)‘The most Martian of Martiane…King Tubby meets the Upsetter at the grass roots of dub (2008)King Tubby meets the Upsetter…Thought and language (1962)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Performing Rites (1996)More Brilliant Than the Sun: Adventures in Sonic Fiction (1998)Audio Culture: Readings in Modern Music (2004)The Hidden Dimension (1973)The Social Self: On Being the Same and Different at the Same Time (1991)Multimodal Metaphor (2009)From religious performances to martial themes (2019)Social construction of visual ageism on Iranian news websites during COVID-19 (2022)The Practice of Everyday Life (1988)Rethinking the Public Sphere: A Contribution to the Critique of Actually Existing Democracy (1990)Publics and Counterpublics (2002)Outline of a Theory of Practice (1977)Handbook of Theory and Research for the Sociology of Education. (1987)The Field of Cultural Production: Essays on Art and Literature (1996)Distinction: A Social Critique of the Judgement of Taste. (1985)Crossing the Border: Cultural identity and historical integration of national music and popular music (2023)Orality and Literacy (1982)The Black Atlantic: Modernity and Double Consciousness (1994)Reassembling the Social (2005)
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Cited by

  • 2020Wireless Imaginations26 cited
  • 2015Social distance and the multimodal construction of the Other in sectarian song22 cited
  • 2020Sound City and music from the outskirts: the de-democratisation of pop music production9 cited
  • 2017Notions of intimate publicness and the American do-it-yourself music spaces6 cited
  • 2008King Tubby meets the Upsetter at the grass roots of dub5 cited
  • 2021‘An essential tool for creativity’: technologies, spaces and discourse within pop music production3 cited
  • 2014‘The most Martian of Martianesses’: Zhanna Aguzarova, (post-)Soviet rock ‘n’ roll, and the musico-linguistic creation of the ‘outside’3 cited

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