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The quantification of diversity: Netflix, visibility politics and the grammar of transnationalism
16 references·0 citing·31 second hop
The quantification of diversity: Netflix, visibility politics and the grammar of transnationalism (2024)The quantification of diversity: Netflix,…Netflix and the Re-invention of Television (2023)Netflix and the Re-invention …Streaming difference(s): Netflix and the branding of diversity (2022)Streaming difference(s): Netf…Netflix original series, global audiences and discourses of streaming success (2021)Netflix original series, glob…Netflix Nations (2019)Netflix NationsEmpowered: Popular Feminism and Popular Misogyny Empowered: Popular Feminism and Popular Misogyny , by Sarah Banet-Weiser, Durham and London, Duke University Press, 2018, 240 pp., (pbk), ISBN 978-1-4780-0291-8 (2019)Empowered: Popular Feminism a…The Rise of Neoliberal Feminism (2018)The Rise of Neoliberal Femini…The Reasonable Audience (2018)The Reasonable AudienceNetflix and the Re-invention of Television (2018)Netflix and the Re-invention …In the Time of Plastic Representation (2017)In the Time of Plastic Repres…The Silicon Valley Ethos: Tech Industry Products, Discourses, and Practices (2016)The Silicon Valley Ethos: Tec…The Netflix Effect Technology and Entertainment in the 21st Century (2016)The Netflix Effect Technology…The Cultural Politics of Colorblind TV Casting (2015)The Cultural Politics of Colo…Global TV: exporting television and culture in the world market (2009)Global TV: exporting televisi…World Television: From Global to Local (2007)World Television: From Global…Ordinary Television: Analyzing Popular TV (2003)Ordinary Television: Analyzin…A Feeling for Books: The Book-of-the-Month Club, Literary Taste, and Middle-Class Desire. (1998)A Feeling for Books: The Book…The Foucault Effect: Studies in Governmentality (1991)The Promise of Happiness (2010)Post-postfeminism?: new feminist visibilities in postfeminist times (2016)Terrorist Assemblages: Homonationalism in Queer Times (2017)The affective, cultural and psychic life of postfeminism: A postfeminist sensibility 10 years on (2017)Postfeminism, popular feminism and neoliberal feminism? Sarah Banet-Weiser, Rosalind Gill and Catherine Rottenberg in conversation (2019)FROM THE BOX IN THE CORNER TO THE BOX SET ON THE SHELF (2007)The Moral Economy of Person Production: The Class Relations of Self-Performance on ‘Reality’ Television (2009)BRANDING, CELEBRITIZATION AND THE LIFESTYLE EXPERT (2010)Suspicious Minds (2011)The Sociology of Storytelling (2011)Recommended for you: The Netflix Prize and the production of algorithmic culture (2014)“We Shouldn’t Have to Trend to Make You Listen”: Queer Fan Hashtag Campaigns as Production Interventions (2018)The hypervisibility and discourses of ‘wokeness’ in digital culture (2022)Generative AI and the politics of visibility (2024)The binge-watcher’s journey: Investigating motivations, contexts, and affective states surrounding Netflix viewing (2019)Hollywood studio filmmaking in the age of Netflix: a tale of two institutional logics (2020)Algorithmic logics and the construction of cultural taste of the Netflix Recommender System (2021)Parenting for a Digital Future (2020)Violence against Women in Politics (2020)The Shadowban Cycle: an autoethnography of pole dancing, nudity and censorship on Instagram (2021)Rethinking International TV Flows Research in the Age of Netflix (2017)Propaganda in an Age of Algorithmic Personalization: Expanding Literacy Research and Practice (2020)Global online platforms, COVID-19, and culture: The global pandemic, an accelerator towards which direction? (2021)Digital nationalism: Understanding the role of digital media in the rise of ‘new’ nationalism (2020)In between the global and the local: Mapping the geographies of Netflix as a multinational service (2020)Netflix, library analysis, and globalization: rethinking mass media flows (2022)Transforming Korea into a multicultural society: reception of multiculturalism discourse and its discursive disposition in Korea (2011)The ongoing significance of national media systems in the context of media globalization (2015)Banal cosmopolitanism and The Lord of the Rings: The limited role of national differences in global media consumption (2009)What is a global field? Theorizing fields beyond the nation-state (2016)
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References

  • 2018The Rise of Neoliberal Feminism804 cited
  • 1998A Feeling for Books: The Book-of-the-Month Club, Literary Taste, and Middle-Class Desire.691 cited
  • 2007World Television: From Global to Local554 cited
  • 2019Netflix Nations524 cited
  • 2019Empowered: Popular Feminism and Popular Misogyny Empowered: Popular Feminism and Popular Misogyny , by Sarah Banet-Weiser, Durham and London, Duke University Press, 2018, 240 pp., (pbk), ISBN 978-1-4780-0291-8483 cited
  • 2018Netflix and the Re-invention of Television369 cited
  • 2016The Netflix Effect Technology and Entertainment in the 21st Century248 cited
  • 2003Ordinary Television: Analyzing Popular TV240 cited
  • 2017In the Time of Plastic Representation169 cited
  • 2009Global TV: exporting television and culture in the world market166 cited
  • 2015The Cultural Politics of Colorblind TV Casting142 cited
  • 2022Streaming difference(s): Netflix and the branding of diversity77 cited
  • 2021Netflix original series, global audiences and discourses of streaming success69 cited
  • 2016The Silicon Valley Ethos: Tech Industry Products, Discourses, and Practices55 cited
  • 2018The Reasonable Audience49 cited

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  • 2023Netflix and the Re-invention of Television44 cited
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