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4. Tourist Art as the Crafting of Identity in the Sepik River (Papua New Guinea) · Study

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Chapter4. Tourist Art as the Crafting of Identity in the Sepik River (Papua New Guinea)

Eric Kline Silverman1999

Chapter1999

4. Tourist Art as the Crafting of Identity in the Sepik River (Papua New Guinea)

Eric Kline Silverman

24 citations·0/0 files stored·University of California Press eBooks

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Cultural Identity and Heritage Pacific and Southeast Asian Studies Cultural History and Identity Formation

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2017Navigating the Future 2010The unnatural history of heritage: what's the future for the past?2007A facilitated access model and ottoman empire tourism 2001The Makings of Political Art 2003High art as tourist art, tourist art as high art: Comparing the New Guinea Sculpture Garden at Stanford University and Sepik River tourist art 2012From Cannibal Tours to cargo cult: On the aftermath of tourism in the Sepik River, Papua New Guinea 2004Artists and Aesthetics: Case Studies of Creativity in the Ethnic Arts Market

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Year1999

Typechapter

Published1999-01-30

VenueUniversity of California Press eBooks

Languageen

Citations24

Files0 public / 0

ShelfCultural Identity and Heritage

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doi10.1525/9780520420519-006

openalex_workW4401740861

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