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6. Authenticity, Repetition, and the Aesthetics of Seriality: The Work of Tourist Art in the Age of Mechanical Reproduction
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  • 2015Authenticity, Innovation, and the Geographical Indication in an Artisanal Industry: The Case of the Banarasi Sari41 cited
  • 2016Matters of Patrimony: Anthropological Theory and the Materiality of Replication in Contemporary Latin America27 cited
  • 2016Touring Pacific Cultures24 cited
  • 2009Anthropology, Festival, and Spectacle21 cited
  • 2009Four kinds of authenticity? Regarding Nicaraguan pottery in Scandinavian museums, 2006–0819 cited
  • 2008Colonial Legacy in African Museology: The Case of the Ghana National Museum19 cited
  • 2011Space, line and story in the invention of an Andean aesthetic16 cited
  • 2009The Politics of Kitsch12 cited
  • 2004“Frame That Rug!”: Narratives of Zapotec Textiles as Art and Ethnic Commodity in the Global Marketplace10 cited
  • 2016Multiple Authenticities in Motion: Styles and Stances in SikhSabad Kīrtan9 cited
  • 2014The Art of Indigeneity: Aesthetics and Competition in Mexican Economies of Culture8 cited
  • 2025Layers of Repair—On Mending, Care, and Aesthetics of Affect3 cited
  • 2004Artists and Aesthetics: Case Studies of Creativity in the Ethnic Arts Market3 cited
  • 2025Tradition of the past, traditionalism of the future: A view from a pottery cooperative

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2 cited