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Indonesian critiques of the new musical system
16 references·0 citing·47 second hop
Indonesian critiques of the new musical system (2024)Indonesian critiques of the new musical s…Platforms, Power, and Promotion: Evidence from Spotify Playlists* (2021)Platforms, Power, and Promoti…Platform pop: disentangling Spotify’s intermediary role in the music industry (2020)Platform pop: disentangling S…Organizing music, organizing gender: algorithmic culture and Spotify recommendations (2020)Organizing music, organizing …Locating Power in Platformization: Music Streaming Playlists and Curatorial Power (2020)Locating Power in Platformiza…Is music streaming bad for musicians? Problems of evidence and argument (2020)Is music streaming bad for mu…Folk theories of algorithmic recommendations on Spotify: Enacting data assemblages in the global South (2020)Folk theories of algorithmic …Spotify Teardown (2019)Spotify TeardownRevenue, access, and engagement via the in-house curated Spotify playlist in Australia (2019)Revenue, access, and engageme…Playing to the Crowd (2019)Playing to the CrowdGenres as Social Affect: Cultivating Moods and Emotions through Playlists on Spotify (2019)Genres as Social Affect: Cult…“First Week Is Editorial, Second Week Is Algorithmic”: Platform Gatekeepers and the Platformization of Music Curation (2019)“First Week Is Editorial, Sec…‘Press play for pride’: The cultural logics of LGBTQ-themed playlists on Spotify (2018)‘Press play for pride’: The c…What the digitalisation of music tells us about capitalism, culture and the power of the information technology sector (2017)What the digitalisation of mu…“The perfect guide in a crowded musical landscape:” Online music platforms and curatorship (2017)“The perfect guide in a crowd…‘Let's keep music special. F—Spotify’: on-demand streaming and the controversy over artist royalties (2015)‘Let's keep music special. F—…Underground Rock Music: And Democratization in Indonesia (2005)Underground Rock Music: And D…Art versus technology: the strange case of popular music (1986)The long tail : how endless choice is creating unlimited demand (2006)Music Genres and Corporate Cultures (2010)Music as a Technology of Surveillance (2018)Television: Technology and Cultural Form (1974)The Audible Past (2003)Communication Power (2009)From creator to data: the post-record music industry and the digital conglomerates (2018)THE DISCOVERY OF GROUNDED THEORY: STRATEGIES FOR QUALITATIVE RESEARCH. By Barney G. Glaser and Anselm L. Strauss. Chicago: Aldine Publishing Company, 1967. 271 pp. $6.75 (1968)The Agenda-Setting Function of Mass Media (1972)Ethnography In/Of the World System: The Emergence of Multi-Sited Ethnography (1995)Why do people spread false information online? The effects of message and viewer characteristics on self-reported likelihood of sharing social media disinformation (2020)Algorithms of Resistance (2024)Systems thinking, systems practice (1982)Culture in Action: Symbols and Strategies (1986)The Body Multiple (2002)Experiencing Algorithms: How Young People Understand, Feel About, and Engage With Algorithmic News Selection on Social Media (2021)Trick and Please. A Mixed-Method Study On User Assumptions About the TikTok Algorithm (2021)Understanding the popularity and affordances of TikTok through user experiences (2023)The politics of ‘platforms’ (2010)The Platform Society (2018)The platformization of cultural production: Theorizing the contingent cultural commodity (2018)“Splendid Isolation”: The reproduction of music industry inequalities in Spotify’s recommendation system (2021)Music in business and management studies: a systematic literature review and research agenda (2023)Platform Competition in Two-Sided Markets (2003)Reassembling the Social (2005)Stages, Platforms, Streams: The Economies and Industries of Live Music after Digitalization (2021)The Streaming Paradox: Untangling the Hybrid Gatekeeping Mechanisms of Music Streaming (2022)E-commerce and consumer behavior: A review of AI-powered personalization and market trends (2024)INDIE: THE INSTITUTIONAL POLITICS AND AESTHETICS OF A POPULAR MUSIC GENRE (1999)Creative Labour: Media Work in Three Cultural Industries (2012)Creative justice: cultural industries, work and inequality (2017)Music Creators’ Earnings in the Digital Era (2021)Music streaming platforms and self-releasing musicians: the case of China (2021)Streaming’s Effects on Music Culture: Old Anxieties and New Simplifications (2021)Experimental Study of Inequality and Unpredictability in an Artificial Cultural Market (2006)The Economics of Two-Sided Markets (2009)Anticompetitive Effects of Common Ownership (2018)Playlisting favorites: Measuring platform bias in the music industry (2021)Streaming platform and strategic recommendation bias (2021)Growing platforms within platforms: How platforms manage the adoption of complementor products in the presence of network effects? (2023)Mass Communication and Para-Social Interaction (1956)Exchange and Power in Social Life. (1965)Distinction: A Social Critique of the Judgement of Taste. (1985)The ethnographer and the algorithm: beyond the black box (2020)Tiered Governance and Demonetization: The Shifting Terms of Labor and Compensation in the Platform Economy (2020)Platform governance at the margins: Social media creators’ experiences with algorithmic (in)visibility (2022)
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References

  • 2019Spotify Teardown352 cited
  • 2020Folk theories of algorithmic recommendations on Spotify: Enacting data assemblages in the global South213 cited
  • 2019“First Week Is Editorial, Second Week Is Algorithmic”: Platform Gatekeepers and the Platformization of Music Curation200 cited
  • 2019Playing to the Crowd197 cited
  • 2020Locating Power in Platformization: Music Streaming Playlists and Curatorial Power175 cited
  • 2015‘Let's keep music special. F—Spotify’: on-demand streaming and the controversy over artist royalties156 cited
  • 2017What the digitalisation of music tells us about capitalism, culture and the power of the information technology sector145 cited
  • 2020Is music streaming bad for musicians? Problems of evidence and argument135 cited
  • 2020Platform pop: disentangling Spotify’s intermediary role in the music industry88 cited
  • 2021Platforms, Power, and Promotion: Evidence from Spotify Playlists*85 cited
  • 2019Genres as Social Affect: Cultivating Moods and Emotions through Playlists on Spotify82 cited
  • 2020Organizing music, organizing gender: algorithmic culture and Spotify recommendations78 cited
  • 2019Revenue, access, and engagement via the in-house curated Spotify playlist in Australia56 cited
  • 2018‘Press play for pride’: The cultural logics of LGBTQ-themed playlists on Spotify

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36 cited
  • 2017“The perfect guide in a crowded musical landscape:” Online music platforms and curatorship30 cited
  • 2005Underground Rock Music: And Democratization in Indonesia30 cited
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