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Thai creative labour solidarity, (post)-pandemic precarity, and directions of production studies in the Global South
16 references·0 citing·50 second hop
Thai creative labour solidarity, (post)-pandemic precarity, and directions of production studies in the Global South (2024)Thai creative labour solidarity, (post)-p…Creative and cultural work post-Covid-19: Interruptions as space of political re-futuring (2023)Creative and cultural work po…‘The show must go on!’: Hustling through the compounded precarity of Covid-19 in the creative industries (2022)‘The show must go on!’: Hustl…Informal and Precarious Work: Insights from the Global South (2021)Informal and Precarious Work:…Between ironic pleasure and exotic nostalgia: audience reception of Thai television dramas among youth in China (2021)Between ironic pleasure and e…Introduction: Creative labour in East Asia (2020)Introduction: Creative labour…De-westernizing creative labour studies: The informality of creative work from an ex-centric perspective (2019)De-westernizing creative labo…Precarious Creativity: Global Media, Local Labor (2016)Precarious Creativity: Global…Theorizing cultural work: labour, continuity and change in the cultural and creative industries (2014)Theorizing cultural work: lab…Recognizing “Industry” (2013)Recognizing “Industry”Reflections On Feminism, Immaterial Labour And The Post-Fordist Regime (2011)Reflections On Feminism, Imma…Creative Economy and Labor Precarity (2011)Creative Economy and Labor Pr…Asia as Method: Toward Deimperialization (2010)Asia as Method: Toward Deimpe…Looking for work in creative industries policy (2009)Looking for work in creative …Precarity as a Political Concept, or, Fordism as Exception (2008)Precarity as a Political Conc…Include Us Out—Economic Development and Social Policy in the Creative Industries (2006)Include Us Out—Economic Devel…Blissfully whose? Jungle pleasures, ultra-modernist cinema and the cosmopolitan Thai auteur (2006)Blissfully whose? Jungle plea…The Managed Heart: Commercialization of Human Feeling (1985)Hungry for the Job: Gender, Unpaid Internships, and the Creative Industries (2015)China's E-Commerce: Empowering Rural Women? (2019)The postfeminist entrepreneurial self and the platformisation of labour: A case study of yesheng female lifestyle bloggers on Xiaohongshu (2022)The Strength of Weak Ties: A Network Theory Revisited (1983)The Origins of Endogenous Growth (1994)The Rise of the Creative Class (2002)Enabling and Inhibiting the Creative Economy: The Role of the Local and Regional Dimensions in England (2009)Entrepreneurial Cognition, Entrepreneurial Orientation and Firm Capability in the Creative Industries (2011)All work and no pay: consequences of unpaid work in the creative industries (2013)The Managed Heart: Commercialization of Human Feeling (1984)THE HUMAN SIDE OF ENTERPRISE (1985)Gender and Creative Labour (2015)Sustainable Luxury Marketing: A Synthesis and Research Agenda (2019)Creative and cultural work without filters: Covid-19 and exposed precarity in the creative economy (2020)Flexible Citizenship: The Cultural Logics of Transnationality (2001)The rise of the creative class: and how it's transforming work, leisure, community and everyday life (2002)Multitude: war and democracy in the age of empire (2005)Feminist geographies of digital work (2016)Free to Work Anxiously: Splintering Precarity Among Drivers for Uber and Lyft (2016)Weapons of the Chic: Instagram Influencer Engagement Pods as Practices of Resistance to Instagram Platform Labor (2019)The Condition of Postmodernity: An Enquiry into the Origins of Cultural Change (1991)Precarious Life: The Powers of Mourning and Violence (2004)Neoliberalism as Exception (2006)Precarity and agency through a migration lens (2016)The hustle economy (2017)Algorithmic Control in Platform Food Delivery Work (2019)Moral Boundaries: A Political Argument for an Ethic of Care (1993)The Location of Culture (2012)Globalization and Its Discontents (2015)Care-ful Work: An Ethics of Care Approach to Contingent Labour in the Creative Industries (2019)Revenue, access, and engagement via the in-house curated Spotify playlist in Australia (2019)The work of hope: Spiritualizing, hustling and waiting in the creative industries in Ghana (2020)CLUBS TO COMPANIES: NOTES ON THE DECLINE OF POLITICAL CULTURE IN SPEEDED UP CREATIVE WORLDS (2002)Continuum encyclopedia of popular music of the world (2003)The Politics of Cultural Work (2007)Historicizing Precarious Work: Forty Years of Research in the Social Sciences and Humanities (2018)K-pop fan labor and an alternative creative industry: A case study of GOT7 Chinese fans (2020)Streaming difference(s): Netflix and the branding of diversity (2022)International Labour Organisation (1998)Working-Class Power, Capitalist-Class Interests, and Class Compromise (2000)Rethinking Capitalist Development: Primitive Accumulation, Governmentality and Post-Colonial Capitalism (2007)In the shadow of the mountain: the crisis of precarious livelihoods in high altitude mountaineering tourism (2022)Exploring the concepts of decent work through the lens of SDG 8: addressing challenges and inadequacies (2023)Migrant worker well-being as a struggle for meaningful work: Evidence from Bangladeshi migrants in a developing country (2023)Screenwriting (2014)Sexual Harassment in the Creative Industries: Tolerance, Culture and the Need for Change (2017)Epistemic Freedom in Africa (2018)In Search of the Global East: Thinking between North and South (2018)Rejecting abyssal thinking in the language and education of racialized bilinguals: A manifesto (2021)
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References

  • 2010Asia as Method: Toward Deimperialization776 cited
  • 2008Precarity as a Political Concept, or, Fordism as Exception736 cited
  • 2009Looking for work in creative industries policy342 cited
  • 2016Precarious Creativity: Global Media, Local Labor250 cited
  • 2011Reflections On Feminism, Immaterial Labour And The Post-Fordist Regime229 cited
  • 2011Creative Economy and Labor Precarity222 cited
  • 2006Include Us Out—Economic Development and Social Policy in the Creative Industries187 cited
  • 2019De-westernizing creative labour studies: The informality of creative work from an ex-centric perspective101 cited
  • 2021Informal and Precarious Work: Insights from the Global South74 cited
  • 2014Theorizing cultural work: labour, continuity and change in the cultural and creative industries67 cited
  • 2021Between ironic pleasure and exotic nostalgia: audience reception of Thai television dramas among youth in China42 cited
  • 2013Recognizing “Industry”33 cited
  • 2022‘The show must go on!’: Hustling through the compounded precarity of Covid-19 in the creative industries27 cited
  • 2020Introduction: Creative labour in East Asia18 cited
  • 2006Blissfully whose? Jungle pleasures, ultra-modernist cinema and the cosmopolitan Thai auteur

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  • 2023Creative and cultural work post-Covid-19: Interruptions as space of political re-futuring5 cited
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