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Solitary Listening, Copyright, and Reification during the Interwar Years: A Discourse Theoretic Approach
16 references·0 citing·35 second hop
Solitary Listening, Copyright, and Reification during the Interwar Years: A Discourse Theoretic Approach (2024)Solitary Listening, Copyright, and Reific…The Oxford Handbook of Music Listening in the 19th and 20th Centuries (2018)The Oxford Handbook of Music …Absolute Music, Mechanical Reproduction (2010)Absolute Music, Mechanical Re…The Commodification of Music at the Dawn of the Era of "Mechanical Music" (2007)The Commodification of Music …Logics of Critical Explanation in Social and Political Theory (2007)Logics of Critical Explanatio…Performing music in the age of recording (2004)Performing music in the age o…Discourse Analysis as Theory and Method (2002)Discourse Analysis as Theory …Between Process and Product (2001)Between Process and ProductA Century of Recorded Music: Listening to Musical History (2001)A Century of Recorded Music: …An international history of the recording industry (1998)An international history of t…Die Idee der absoluten Musik (1994)Die Idee der absoluten MusikThe Imaginary Museum of Musical Works: An Essay in the Philosophy of Music (1993)The Imaginary Museum of Music…Listening through Reading: Musical Literacy and the Concert Audience (1992)Listening through Reading: Mu…The Form of the Phonograph Record (1990)The Form of the Phonograph Re…Gender and Genius (1989)Gender and GeniusOn Compositional Process in the Fifteenth Century (1987)On Compositional Process in t…Hegemony and Socialist Strategy: Towards a Radical Democratic Politics (1985)Hegemony and Socialist Strate…On Acting and Knowing: How Pragmatism Can Advance International Relations Research and Methodology (2009)Distinctions and Articulations: A Discourse Theoretical Framework for the Study of Populism and Nationalism (2017)The Routledge Handbook of Critical Discourse Studies (2017)Nietzsche, Genealogy, History (2019)Belief, Attitude, Intention and Behavior: An Introduction to Theory and Research (1975)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Gender Trouble: Feminism and the Subversion of Identity (1991)Keywords in Qualitative Methods (2006)A Qualitative Framework for Collecting and Analyzing Data in Focus Group Research (2009)Music and the Middle Class: The Social Structure of Concert Life in London, Paris and Vienna (1976)The Piano (1990)Music and Discourse: Toward a Semiology of Music (1991)A. B. Marx, Berlin Concert Life, and German National Identity (1994)The Other Beethoven: Heroism, the Canon, and the Works of 1813–14 (2003)The Schenker Project (2007)Deliberative Democracy and Beyond (2002)Reframing Public Policy (2003)Coloniality of Power, Eurocentrism, and Latin America (2008)Sound Souvenirs : Audio Technologies, Memory and Cultural Practices (2009)The Cambridge Companion to Percussion (2016)Loving Music Till It Hurts (2019)Aesthetics and subjectivity from Kant to Nietzsche (1991)Idealism and the Aesthetics of Instrumental Music at the Turn of the Nineteenth Century (1997)Popular music education in and for itself, and for ‘other’ music: current research in the classroom (2006)Actor-Networks in Music History: Clarifications and Critiques (2014)Class, Control, and Classical Music (2019)Performing Lieder, Hearing Race: Debating Blackness, Whiteness, and German Identity in Interwar Central Europe (2019)The Beethoven Syndrome (2020)Heiner Goebbels and Curatorial Composing after Cage (2022)The Heroic Life and Everyday Life (1992)“Posts” Perspectives on Anti-Oppressive Education in Social Studies, English, Mathematics, and Science Classrooms (2001)Constructing an artistic identity (2005)Decomposed: a political ecology of music (2015)If the Song has No Price, is it Still a Commodity? : Rethinking the Commodification of Digital Music (2017)Do People Value Recorded Music? (2019)
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References

  • 1985Hegemony and Socialist Strategy: Towards a Radical Democratic Politics9,270 cited
  • 2002Discourse Analysis as Theory and Method4,116 cited
  • 2007Logics of Critical Explanation in Social and Political Theory1,366 cited
  • 1989Gender and Genius399 cited
  • 1993The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music329 cited
  • 2004Performing music in the age of recording292 cited
  • 1992Listening through Reading: Musical Literacy and the Concert Audience180 cited
  • 1994Die Idee der absoluten Musik173 cited
  • 2018The Oxford Handbook of Music Listening in the 19th and 20th Centuries169 cited
  • 2007The Commodification of Music at the Dawn of the Era of "Mechanical Music"164 cited
  • 1990The Form of the Phonograph Record151 cited
  • 1998An international history of the recording industry146 cited
  • 1987On Compositional Process in the Fifteenth Century119 cited
  • 2001Between Process and Product95 cited
  • 2001A Century of Recorded Music: Listening to Musical History84 cited
  • 2010Absolute Music, Mechanical Reproduction

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