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A twist on the historically authentic musical performance
16 references·0 citing·30 second hop
A twist on the historically authentic musical performance (2024)A twist on the historically authentic mus…Being True to Works of Music (2020)Being True to Works of MusicWhy Play the Notes? Indirect Aesthetic Normativity in Performance (2019)Why Play the Notes? Indirect …Performing Works of Music Authentically (2012)Performing Works of Music Aut…Musical Understandings and Other Essays on the Philosophy of Music (2011)Musical Understandings and Ot…Aesthetic Experience and Aesthetic Value (2006)Aesthetic Experience and Aest…Themes in the Philosophy of Music (2003)Themes in the Philosophy of M…Musical Works and Performances (2001)Musical Works and PerformancesAuthenticities (1995)AuthenticitiesThe Imaginary Museum of Musical Works: An Essay in the Philosophy of Music (1993)The Imaginary Museum of Music…THE CONCEPT OF AUTHENTIC PERFORMANCE (1988)THE CONCEPT OF AUTHENTIC PERF…‘The authenticity movement can become a positivistic purgatory, literalistic and dehumanizing’ (1984)‘The authenticity movement ca…Two Distinctions in Goodness (1983)Two Distinctions in GoodnessWhat a Musical Work Is (1980)What a Musical Work IsLanguages of Art (1976)Languages of ArtLectures and Conversations on Aesthetics, Psychology and Religious Belief (1968)Lectures and Conversations on…MENDELSSOHN AND HANDEL (1959)MENDELSSOHN AND HANDELLiterary Theory: An Introduction (1984)Approach to Aesthetics (2001)Art, Emotion and Ethics (2007)Resisting Body Oppression: An Aesthetic Approach (2017)Aesthetic hedonism and its critics (2019)Toward a Communitarian Theory of Aesthetic Value (2021)The practical epistemologies of the classroom: A study of laboratory work (2004)Sensible Knowledge and Practice-based Learning (2007)Body consciousness: a philosophy of mindfulness and somaesthetics (2008)Virtue, Vice, and Value (2001)The Strike of the Demon: On Fitting Pro‐attitudes and Value (2004)A Theory of Virtue (2006)"Playing Attention": Contemporary Aesthetics and Performing Arts Audience Education (2004)Choreography Invisible (2020)From Maker to Composer: Improvisation and Musical Authorship in the Low Countries, 1450-1500 (1996)Popular music education in and for itself, and for ‘other’ music: current research in the classroom (2006)Actor-Networks in Music History: Clarifications and Critiques (2014)Music Performance Research at the Millennium (2003)Art and Intention (2005)Authenticity (2018)Artworks as Historical Individuals (2003)How to have a radically minimal ontology (2009)In Search of Authenticity* (2005)An Essentialist Account of Authenticity (2016)The Psychology of Authenticity (2018)Learning with Media (1991)Will media influence learning? Reframing the debate (1994)Beyond Compare: Metaphor In Organization Theory (2005)Musical Understanding, Musical Works, and Emotional Expression: Implications for education (2005)Seeing Dark Things (2008)
this work references cited by second hop

References

  • 1976Languages of Art1,596 cited
  • 1983Two Distinctions in Goodness1,023 cited
  • 1993The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music527 cited
  • 1968Lectures and Conversations on Aesthetics, Psychology and Religious Belief466 cited
  • 2001Musical Works and Performances332 cited
  • 1980What a Musical Work Is258 cited
  • 1995Authenticities197 cited
  • 2006Aesthetic Experience and Aesthetic Value135 cited
  • 2003Themes in the Philosophy of Music122 cited
  • 1988THE CONCEPT OF AUTHENTIC PERFORMANCE75 cited
  • 1984‘The authenticity movement can become a positivistic purgatory, literalistic and dehumanizing’63 cited
  • 2011Musical Understandings and Other Essays on the Philosophy of Music63 cited
  • 2020Being True to Works of Music43 cited
  • 2019Why Play the Notes? Indirect Aesthetic Normativity in Performance39 cited
  • 2012Performing Works of Music Authentically31 cited
  • 1959MENDELSSOHN AND HANDEL29 cited

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