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Non-Invasive Mobile Raman and pXRF Analysis of Armorial Porcelain with the Coat of Arms of Louis XV and Others Enamelled in Canton: Analytical Criteria for Authentication
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Non-Invasive Mobile Raman and pXRF Analysis of Armorial Porcelain with the Coat of Arms of Louis XV and Others Enamelled in Canton: Analytical Criteria for Authentication (2024)Non-Invasive Mobile Raman and pXRF Analys…Non-Invasive Raman Analysis of 18th Century Chinese Export/Armorial Overglazed Porcelain: Identification of the Different Enameling Techniques (2022)Non-Invasive Raman Analysis o…Distinguishing Genuine Imperial Qing Dynasty Porcelain from Ancient Replicas by On-Site Non-Invasive XRF and Raman Spectroscopy (2022)Distinguishing Genuine Imperi…The Technology Transfer from Europe to China in the 17th–18th Centuries: Non-Invasive On-Site XRF and Raman Analyses of Chinese Qing Dynasty Enameled Masterpieces Made Using European Ingredients/Recipes (2021)The Technology Transfer from …Cobalt and Associated Impurities in Blue (and Green) Glass, Glaze and Enamel: Relationships between Raw Materials, Processing, Composition, Phases and International Trade (2021)Cobalt and Associated 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historical European paintings and its differentiation from lead tin and Naples yellows (2007)Raman scattering features of lead pyroantimonate compounds: implication for the non‐invasive identification of yellow pigments on ancient ceramics. 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Searching for evidence for innovative pigment technologies (2017)AN INVESTIGATION OF THE ORIGIN OF THE COLOUR OF THE LYCURGUS CUP BY ANALYTICAL TRANSMISSION ELECTRON MICROSCOPY (1990)The Lycurgus Cup — A Roman nanotechnology (2007)Non-Invasive On-Site Raman Study of Pigments and Glassy Matrix of 17th–18th Century Painted Enamelled Chinese Metal Wares: Comparison with French Enamelling Technology (2020)Full Spectral Range Raman Signatures Related to Changes in Enameling Technologies from the 18th to the 20th Century: Guidelines, Effectiveness and Limitations of the Raman Analysis (2022)
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References

  • 2008Raman identification of natural red to yellow pigments: ochre and iron‐containing ores330 cited
  • 2006Raman identification of glassy silicates used in ceramics, glass and jewellery: a tentative differentiation guide291 cited
  • 2001Identification and differentiation of ancient and modern European porcelains by Raman macro‐ and micro‐spectroscopy†176 cited
  • 1976The true story of Purple of Cassius110 cited
  • 2003Spectroscopic investigation of yellow majolica glazes90 cited
  • 2007THE CHEMICAL COMPOSITION OF BLUE PIGMENT ON CHINESE BLUE‐AND‐WHITE PORCELAIN OF THE YUAN AND MING DYNASTIES ( ad 1271–1644)*87 cited
  • 2021Cobalt and Associated Impurities in Blue (and Green) Glass, Glaze and Enamel: Relationships between Raw Materials, Processing, Composition, Phases and International Trade86 cited
  • 2017European cobalt sources identified in the production of Chinese famille rose porcelain72 cited
  • 2013A combined spectroscopic study on Chinese porcelain containing ruan-cai colours55 cited
  • 2019Non‐invasive on‐site Raman study of polychrome and white enamelled glass artefacts in imitation of porcelain assigned to Bernard Perrot and his followers41 cited
  • 2017Phase and compositional analysis of a Sèvres soft paste porcelain plate from 1781, with a review of early porcelain techniques38 cited
  • 2011An assessment study of tiles from Topkapı Palace Museum with energy‐dispersive X‐ray and Raman spectrometers36 cited
  • 2022Distinguishing Genuine Imperial Qing Dynasty Porcelain from Ancient Replicas by On-Site Non-Invasive XRF and Raman Spectroscopy

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30 cited
  • 2018A polychrome Mukozuke (1624–1644) porcelain offers a new hypothesis on the introduction of European enameling technology in Japan28 cited
  • 2021The Technology Transfer from Europe to China in the 17th–18th Centuries: Non-Invasive On-Site XRF and Raman Analyses of Chinese Qing Dynasty Enameled Masterpieces Made Using European Ingredients/Recipes27 cited
  • 2022Non-Invasive Raman Analysis of 18th Century Chinese Export/Armorial Overglazed Porcelain: Identification of the Different Enameling Techniques26 cited
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