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Disclosing Colors and Pigments on Archaeological Objects from the Aga Khan Necropolis (West Aswan Egypt) through On-Site Analytical Methods: Preliminary Results
16 references·1 citing·41 second hop
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References

  • 1997Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD)1,000 cited
  • 2000Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece351 cited
  • 2005The colour of ochres explained by their composition204 cited
  • 2000Photoluminescence of the inorganic pigments Egyptian blue, Han blue and Han purple157 cited
  • 2009ATR-FT-IR spectroscopy in the region of 550–230 cm−1 for identification of inorganic pigments147 cited
  • 2008The production technology of Egyptian blue and green frits from second millennium BC Egypt and Mesopotamia144 cited
  • 2013Identification of pigments on Byzantine wall paintings from Crete (14th century AD) using non-invasive Fiber Optics Diffuse Reflectance Spectroscopy (FORS)127 cited
  • 2006The Beautiful Burial in Roman Egypt125 cited
  • 2001Raman Spectroscopic Analysis of Ancient Egyptian Pigments121 cited
  • 2008Examination of some pigments, grounds and media from Egyptian cartonnage fragments in the Petrie Museum, University College London105 cited
  • 2004Analysis of red and yellow ochre samples from Clearwell Caves and Çatalhöyük by vibrational spectroscopy and other techniques105 cited
  • 1973The Roman Thin Walled Pottery: From Cosa (1948-1954)90 cited
  • 2011FIELD AND LABORATORY MULTI‐TECHNIQUE ANALYSIS OF PIGMENTS AND ORGANIC PAINTING MEDIA FROM AN EGYPTIAN COFFIN (26TH DYNASTY)44 cited

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  • 2013A multi-analytical approach for the study of the pigments used in the wall paintings from a building complex on the Caelian Hill (Rome)44 cited
  • 2020Pigments on Roman Wall Painting and Stucco Fragments from the Monte d’Oro Area (Rome): A Multi-Technique Approach43 cited
  • 2021The combined use of SEM-EDX, Raman, ATR-FTIR and visible reflectance techniques for the characterisation of Roman wall painting pigments from Monte d’Oro area (Rome): an insight into red, yellow and pink shades42 cited
  • Cited by

    • 2025A Multi-Analytical Approach to Investigate Fresco Paintings in a Hypogeum Environment6 cited