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Identifying Peking Opera Roles Through Vocal Timbre: An Acoustical and Conceptual Comparison Between Dan and Laosheng
13 references·0 citing·29 second hop
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this work references cited by second hop

References

  • 2019The Race of Sound: Listening, Timbre, and Vocality in African American Music428 cited
  • 1969Folk Song Style and Culture.343 cited
  • 2003Women and Confucian Cultures in Premodern China, Korea, and Japan207 cited
  • 2016A System for Describing Vocal Timbre in Popular Song82 cited
  • 2009Music in China: Experiencing Music, Expressing Culture45 cited
  • 2010The Soul of Beijing Opera32 cited
  • 2014Creating A Corpus Of Jingju (Beijing Opera) Music And Possibilities For Melodic Analysis.25 cited
  • 2017Acoustic Analyses of the Singing Vibrato in Traditional Peking Opera18 cited
  • 1994Peking Opera before the Twentieth Century10 cited
  • 2015Vibrato Characteristics and Frequency Histogram Envelopes in Beijing Opera Singing9 cited
  • 2022Analyzing Vocables in Rap7 cited
  • 2022Alanis Morissette’s Voices6 cited
  • 1980Peking opera and Mei Lanfang : a guide to China's traditional theatre and the art of its great master6 cited

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