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Brain Body Jockey project: Transcending Bodily Limitations in Live Performance via Human Augmentation
16 references·0 citing·40 second hop
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References

  • 2003Disability and Contemporary Performance: Bodies on the Edge286 cited
  • 1996The paper canoe: a guide to theatre anthropology156 cited
  • 2016Why go to pop concerts? The motivations behind live music attendance149 cited
  • 2016The Oxford handbook of music and disability studies110 cited
  • 2013The Disruptive Nature of Digitization: The Case of the Recorded Music Industry81 cited
  • 2008Live and technologically mediated performance62 cited
  • 2012The reciprocal relationship between jazz musicians and audiences in live performances: A pilot qualitative study55 cited
  • 2016Distributed Liveness46 cited
  • 2020Understanding Audio Production Practices of People with Vision Impairments43 cited
  • 2013Disability and social theory: new developments and directions36 cited
  • 2009Tragic but brave or just crips with chips? Songs and their lyrics in the Disability Arts Movement in Britain35 cited
  • 2021Boiling Mind: Amplifying the Audience-Performer Connection through Sonification and Visualization of Heart and Electrodermal Activities31 cited
  • 2017Bio-Sensed and Embodied Participation in Interactive Performance30 cited
  • 2020Live Dance Performance Investigating the Feminine Cyborg Metaphor with a Motion-activated Wearable Robot27 cited

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2019
Brain-Computer Interfaces in Contemporary Art: A State of the Art and Taxonomy
24 cited
  • 2012World music: a global journey22 cited
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