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Showing Off as Selling Out: Online (Self-)Promotional Strategies of Grassroots Electronic Dance Musicians
16 references·0 citing·38 second hop
Showing Off as Selling Out: Online (Self-)Promotional Strategies of Grassroots Electronic Dance Musicians (2024)Showing Off as Selling Out: Online (Self-…Platforms and cultural production (2022)Platforms and cultural produc…Music Platforms and the Optimization of Culture (2020)Music Platforms and the Optim…Playing to the Crowd (2019)Playing to the CrowdQualitative Research Design (2015)Qualitative Research DesignBlowing up the brand: Critical perspectives on promotional culture (2011)Blowing up the brand: Critica…Music Genres and Corporate Cultures (2010)Music Genres and Corporate Cu…In the Social Factory? (2008)In the Social Factory?The Politics of Cultural Work (2007)The Politics of Cultural WorkThe long tail: why the future of business is selling less of more (2007)The long tail: why the future…Making Popular Music: Musicians, Creativity and Institutions (2000)Making Popular Music: Musicia…Free Labor (2000)Free LaborINDIE: THE INSTITUTIONAL POLITICS AND AESTHETICS OF A POPULAR MUSIC GENRE (1999)INDIE: THE INSTITUTIONAL POLI…Energy Flash: A Journey Through Rave Music and Dance Culture (1998)Energy Flash: A Journey Throu…Club Cultures: Music, Media and Subcultural Capital (1997)Club Cultures: Music, Media a…Promotional Culture (1991)Promotional CultureThe Hidden Musicians: Music-Making in an English Town (1989)The Hidden Musicians: Music-M…The Postmodern Condition: A Report on Knowledge (1984)A Thousand Plateaus: Capitalism and Schizophrenia (1989)The Black Atlantic: Modernity and Double Consciousness. (1997)Production, Consumption, Prosumption (2010)The politics of ‘platforms’ (2010)Data Colonialism: Rethinking Big Data’s Relation to the Contemporary Subject (2018)Postmodernism, or, The cultural logic of late capitalism (1991)Risk Society: Towards a New Modernity (1993)Risk Society, Towards a New Modernity (1994)Redoing feminism: digital activism, body politics, and neoliberalism (2015)The romance of work: Gender and aspirational labour in the digital culture industries (2015)A Call for Qualitative Power Analyses (2006)The SAGE Encyclopedia of Qualitative Research Methods (2008)Sociolinguistic Fieldwork (2013)A Typology of Mixed Methods Sampling Designs in Social Science Research (2015)Generation Z consumers' expectations of interactions in smart retailing: A future agenda (2017)Understanding Media: The Extensions of Man (1964)The Responsibility of Forms: Critical Essays on Music, Art, and Representation (1986)Critical Discourse Analysis and the Marketization of Public Discourse: The Universities (1993)The McUniversity: Organization, Management and Academic Subjectivity (1995)Objectification Theory: Toward Understanding Women's Lived Experiences and Mental Health Risks (1997)THE WORK OF CULTURAL INTERMEDIARIES AND THE ENDURING DISTANCE BETWEEN PRODUCTION AND CONSUMPTION (2002)The Production of Culture Perspective (2004)Managing visibility on YouTube through algorithmic gossip (2019)Club cultures: music, media and subcultural capital (1996)Places around us: embodied lay geographies in leisure and tourism (2000)Mutual Learning and Democratic Action in Instrumental Music Education (2003)Role of social media in online travel information search (2009)Impact of Online Consumer Reviews on Sales: The Moderating Role of Product and Consumer Characteristics (2010)Organizing for Innovation in the Digitized World (2012)‘A very complicated version of freedom’: Conditions and experiences of creative labour in three cultural industries (2009)Breaking the silence: The hidden injuries of neo-liberal academia (2016)SUBCULTURES OR NEO‐TRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH, STYLE AND MUSICAL TASTE (1999)Signals in Social Supernets (2007)The commons: Infrastructures for troubling times* (2016)Classification as Culture: Types and Trajectories of Music Genres (2008)Looking for work in creative industries policy (2009)Cultural entrepreneurs, cultural entrepreneurship: Music producers mobilising and converting Bourdieu's alternative capitals (2012)
this work references cited by second hop

References

  • 2007The long tail: why the future of business is selling less of more2,882 cited
  • 2000Free Labor1,896 cited
  • 1997Club Cultures: Music, Media and Subcultural Capital1,512 cited
  • 2008In the Social Factory?1,361 cited
  • 2015Qualitative Research Design770 cited
  • 2010Music Genres and Corporate Cultures585 cited
  • 2007The Politics of Cultural Work556 cited
  • 1991Promotional Culture544 cited
  • 1989The Hidden Musicians: Music-Making in an English Town455 cited
  • 2000Making Popular Music: Musicians, Creativity and Institutions382 cited
  • 2022Platforms and cultural production363 cited
  • 1999INDIE: THE INSTITUTIONAL POLITICS AND AESTHETICS OF A POPULAR MUSIC GENRE303 cited
  • 1998Energy Flash: A Journey Through Rave Music and Dance Culture298 cited
  • 2011Blowing up the brand: Critical perspectives on promotional culture202 cited
  • 2019Playing to the Crowd197 cited
  • 2020Music Platforms and the Optimization of Culture153 cited

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