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Audio description for all? The benefits and concerns of extending access provision to sighted people
16 references·1 citing·31 second hop
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References

  • 1980Negara: The Theatre State in Nineteenth-Century Bali1,658 cited
  • 1994Museum of Words: The Poetics of Ekphrasis from Homer to Ashbery376 cited
  • 1999Ekphrasisancient and modern: The invention of a genre338 cited
  • 2014Audiovisual Translation245 cited
  • 2013Ekphrasis at the forge and the forging of ekphrasis: the ‘shield of Achilles’ in Graeco-Roman word and image181 cited
  • 2016An Introduction to Audio Description157 cited
  • 1964Moment and Movement in Art151 cited
  • 2007Introduction: Eight Ways of Looking at an Ekphrasis107 cited
  • 2008Writing for Art: The Aesthetics of Ekphrasis101 cited
  • 2008Audio description: The visual made verbal89 cited
  • 2016Redefining Access: Embracing multimodality, memorability and shared experience in Museums77 cited
  • 2019Slow Looking: The Art and Practice of Learning Through Observation49 cited
  • 2022Devisualizing the Museum: From Access to Inclusion44 cited
  • 2002A Conversation on Object‐Centered Learning in Art Museums31 cited
  • 2023‘I felt I was right there with them’: the impact of sound-enriched audio description on experiencing and remembering artworks, for blind and sighted museum audiences16 cited

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  • 2022Inclusive Visions: The Museum Experience of Young Blind and Partially Sighted Visitors6 cited
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    • 2025Accessing Art and Heritage Through a Visual-Spatial Language: In-person and Digital British Sign Language Museum Tours4 cited