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A hagyományos műértelmezés határai: Rembrandt és Chardin recepciója a 17. és 18. századi Franciaországban
4 references·0 citing·9 second hop
A hagyományos műértelmezés határai: Rembrandt és Chardin recepciója a 17. és 18. századi Franciaországban (2024)A hagyományos műértelmezés határai: Rembr…La peinture à vue de nez ou la juste distance du critique d’art, de Diderot à Zola (2014)La peinture à vue de nez ou l…The Object of Art: The Theory of Illusion in Eighteenth-Century France (1983)The Object of Art: The Theory…La vie des Peintres : flamands, allemands et hollandais (1972)La vie des Peintres : flamand…Rembrandt and His Critics 1630–1730 (1953)Rembrandt and His Critics 163…Les Beaux-arts en Europe -- 1855 (1855)Rembrandt’s self-portraits: problems of authenticity and function (2005)Taste Communities: The Rise of the Amateur in Eighteenth-Century Paris (2012)Iluzja a realizm. Gra z widzem w sztuce holenderskiej 1580-1660 (2015)Biblical scholarship and literary criticism (1997)Classical scholarship and literary criticism (1997)The Scottish Enlightenment (1997)The Influence of Eye Disease on Pictorial Art (1959)Painting and Publishing as Cultural Industries. The Fabric of Creativity in the Dutch Republic, 1580-1800 (2016)
this work references cited by second hop

References

  • 1983The Object of Art: The Theory of Illusion in Eighteenth-Century France74 cited
  • 1953Rembrandt and His Critics 1630–173028 cited
  • 1972La vie des Peintres : flamands, allemands et hollandais9 cited
  • 2014La peinture à vue de nez ou la juste distance du critique d’art, de Diderot à Zola8 cited

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