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Aesthetics and Perception: Pastness in Charles Frederick Moore’s Xiyang Lou Imagery
16 references·0 citing·36 second hop
Aesthetics and Perception: Pastness in Charles Frederick Moore’s Xiyang Lou Imagery (2024)Aesthetics and Perception: Pastness in Ch…Perceiving the Past: From Age Value to Pastness (2017)Perceiving the Past: From Age…Photography: A Critical Introduction (2015)Photography: A Critical Intro…Obsolescence (2015)ObsolescenceOn Pastness: A Reconsideration of Materiality in Archaeological Object Authenticity (2013)On Pastness: A Reconsideratio…The memory of place: a phenomenology of the uncanny (2012)The memory of place: a phenom…The future of the past: a conservation ethic for architecture, urbanism, and historic preservation (2010)The future of the past: a con…Photography and Surrealism: Sexuality, Colonialism and Social Dissent (2009)Photography and Surrealism: S…From Stonehenge to Las Vegas: archaeology as popular culture (2006)From Stonehenge to Las Vegas:…Barbarian Lens (1998)Barbarian LensMagic kingdom or a quixotic quest for authenticity? (1996)Magic kingdom or a quixotic q…Garden of Perfect Brightness, a Life in Ruins, The. (1996)Garden of Perfect Brightness,…Abraham Lincoln as Authentic Reproduction: A Critique of Postmodernism (1994)Abraham Lincoln as Authentic …Imperialist Nostalgia (1989)Imperialist NostalgiaThe Architecture of the Uncanny: The Unhomely Houses of the Romantic Sublime (1987)The Architecture of the Uncan…Photography and Fetish (1985)Photography and FetishLA Chambre Claire: Note Sur LA Photographie (1980)LA Chambre Claire: Note Sur L…The Past is a Foreign Country (1986)The Social Life of Things (1986)Mimesis and alterity: a particular history of the senses (1993)Rethinking authenticity in tourism experience (1999)Consumer Perceptions of Iconicity and Indexicality and Their Influence on Assessments of Authentic Market Offerings (2004)The Quest for Authenticity in Consumption: Consumers’ Purposive Choice of Authentic Cues to Shape Experienced Outcomes (2009)Reconceptualizing object authenticity (2006)Authenticity: what consumers really want (2008)Beyond “Natural” and “Cultural” Heritage: Toward an Ontological Politics of Heritage in the Age of Anthropocene (2015)Conceptualising the subjective authenticity of intangible cultural heritage (2018)Adaptive reuse of heritage buildings; a systematic literature review of success factors (2023)The heritage industry: Britain in a climate of decline (1987)The core of heritage tourism (2003)The tourist experience (2005)Myths and Memories of the Nation (2000)The Information Society and the Welfare State: The Finnish Model (2004)What is Archaeological Ethnography? (2009)Do you even know what public archaeology is? Trends, theory, practice, ethics (2015)Images of Recovery: A Photo-Elicitation Study on the Hospital Ward (2003)The Social Construction of Events: A Study of Institutional Change in the Photographic Field (2005)Code/Space (2011)Postcards from Malta (2001)A LIFE MORE PHOTOGRAPHIC (2008)Videographic geographies: Using digital video for geographic research (2010)History's remainders: On time and objects after conflict in Cyprus (2014)School toilets: queer, disabled bodies and gendered lessons of embodiment (2016)Exploring what the Notion of ‘Lived Experience’ Offers for Social Policy Analysis (2018)Nostalgia critique (1995)What is Anthropological Enlightenment? Some Lessons of the Twentieth Century (1999)Time to Destroy (2008)Thatcher's Progress (2019)Remaking the obsolete: Critical geographies of contemporary adaptive reuse (2021)Causal Effects between Criteria That Establish the End of Service Life of Buildings and Components (2022)The Taste of the Archive (2012)The Cambridge Introduction to Literature and Psychoanalysis (2014)New Insights in the History of Interpreting (2016)
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References

  • 1980LA Chambre Claire: Note Sur LA Photographie721 cited
  • 1989Imperialist Nostalgia713 cited
  • 1994Abraham Lincoln as Authentic Reproduction: A Critique of Postmodernism671 cited
  • 2015Photography: A Critical Introduction438 cited
  • 2006From Stonehenge to Las Vegas: archaeology as popular culture267 cited
  • 1985Photography and Fetish240 cited
  • 1996Magic kingdom or a quixotic quest for authenticity?176 cited
  • 2013On Pastness: A Reconsideration of Materiality in Archaeological Object Authenticity154 cited
  • 2012The memory of place: a phenomenology of the uncanny146 cited
  • 2015Obsolescence96 cited
  • 2009Photography and Surrealism: Sexuality, Colonialism and Social Dissent59 cited
  • 2010The future of the past: a conservation ethic for architecture, urbanism, and historic preservation51 cited
  • 1996Garden of Perfect Brightness, a Life in Ruins, The.43 cited
  • 2017Perceiving the Past: From Age Value to Pastness37 cited
  • 1987The Architecture of the Uncanny: The Unhomely Houses of the Romantic Sublime31 cited
  • 1998Barbarian Lens

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