Time, Risk and Control in Musical Performance Practices

Michela Garda

2 citations0/0 files storedPhilosophies

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Musicology and Musical Analysis Diverse Music Education Insights Arts and Performance Studies

Abstract

Time, control and risk are interrelated concepts that provide a valuable framework for exploring the connections among various performative practices and their cultural functions. By referencing sports, circus arts, and musical performance, this article examines the similarities and differences between musical reproductive performance and improvisation. It focuses on the concept of transformational processes through analogies.

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 2 citations exist upstream.

References

1974THOUGHTS ON IMPROVISATION: A COMPARATIVE APPROACH 2008On Improvisation, Temporality, and Embodied Experience 2018Fantasies of Improvisation 2017Studies in Historical Improvisation 2020The Routledge Circus Studies Reader 2021The Cambridge Companion to the Circus 2017Improvising Improvisation 2014Musical Improvisation and the Philosophy of Music

Explore the map →

Papers that cite the same references — the relational fallback while embeddings are still backfilling.

Imported from OpenAlex (CC0) — nothing here is generated.