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The emergence of artificial intelligence (AI) in the creative arts has ignited a global discourse on the intersection of technology, human creativity, and artistic expression. This paper examines the rise of “AI artists” within the broader context of neuropsychology, the metacrisis, and theories of art and creativity. Drawing on Ian McGilchrist’s hemispheric theory, it explores how AI, often associated with left-hemisphere analytical dominance, can paradoxically contribute to right-hemisphere creative processes. The study evaluates the role of AI in expanding artistic boundaries, democratizing creative expression, and redefining authorship, while addressing concerns about originality, cultural significance, and the potential devaluation of human-made art. Through an anthropological and philosophical lens, the paper argues that AI does not replace human creativity but rather augments it, offering novel tools for artistic exploration. By integrating insights from cognitive science, aesthetics, and digital humanities, this article positions AI as a collaborator in artistic evolution rather than a competitor. Ultimately, there is an assertion that the human capacity for meaning-making and emotional resonance remains irreplaceable, ensuring that human creativity persists and thrives alongside AI-generated art.
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Stored only when both papers are in the corpus — 5 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
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