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In "Mold Sounds," we design a more-than-human encounter that explores how biomaterials, specifically molds, can reorient narratives of toxicity towards polyphonic, multi-species assemblages that speak to queer ecologies. We designed an environment in which molds grow and interact with conductive components, thus altering the sounds produced by the artifact. We reflect on how this helps complicate essentialist, heteronormative narratives in human and non-human relations. Through material engagements, "Mold Sounds" fosters reflections on how we might design for polyphony, or multi-species temporal rhythms, reconsider the nature of toxicity, and explore the unpredictability of queer ecological entanglements in more-than-human design.
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