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Beyond Narratives: Interstitial Provenance as a Methodology for Transfers of African Arts
7 references·0 citing·16 second hop
Beyond Narratives: Interstitial Provenance as a Methodology for Transfers of African Arts (2025)Beyond Narratives: Interstitial Provenanc…Collecting and Provenance: A multidisciplinary approach (2020)Collecting and Provenance: A …Cataloguing Culture (2020)Cataloguing CultureMuseums, African collections and social justice (2013)Museums, African collections …The Colour of My Dreams: The Surrealist Revolution in Art (2011)The Colour of My Dreams: The …The AAM guide to provenance research (2002)The AAM guide to provenance r…"Primitivism" in 20th Century Art: Affinity of the Tribal and the Modern (1985)"Primitivism" in 20th Century…Black Gods and Kings. Yoruba Art at UCLA (1978)Black Gods and Kings. Yoruba …Ethnicity and the Multicultural City: Living with Diversity (2002)Through the Public’s Lens: Are Museums Active Members of Society? An Investigation During the COVID-19 Pandemic (2021)Periodizing Modernism: Postcolonial Modernities and the Space/Time Borders of Modernist Studies (2006)Planetarity: Musing Modernist Studies (2010)The Cambridge History of Modernism (2017)Woman in Yoruba religious images (1989)Understanding Early Civilizations (2003)Performance Practice in the Music of Steve Reich (2016)Academic ‘ethics’ and the Schøyen Collection Aramaic incantation bowls: a personal narrative (2023)Collections coloniales (2023)On the Emerging Supremacy of Structured Digital Data in Archaeology: A Preliminary Assessment of Information, Knowledge and Wisdom Left Behind (2021)Egyptian Archaeology and the Twenty-First Century Museum (2022)Repatriation as Pedagogy (2023)Where Is the Provenance? Ethical Replicability and Reproducibility in GIScience and Its Critical Applications (2020)AI in Museums (2023)AI in Museums (2023)
this work references cited by second hop

References

  • 1985"Primitivism" in 20th Century Art: Affinity of the Tribal and the Modern285 cited
  • 2020Cataloguing Culture74 cited
  • 1978Black Gods and Kings. Yoruba Art at UCLA49 cited
  • 2002The AAM guide to provenance research29 cited
  • 2020Collecting and Provenance: A multidisciplinary approach17 cited
  • 2013Museums, African collections and social justice8 cited
  • 2011The Colour of My Dreams: The Surrealist Revolution in Art5 cited

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