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Negotiating underground status through hybrid visibilities: WeChat event promotion in Shanghai music and performance scenes
16 references·0 citing·46 second hop
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References

  • 1995Subculture: The Meaning of Style3,813 cited
  • 1996Research methods in Anthropology: Qualitative and quantitative approaches2,526 cited
  • 2010The politics of ‘platforms’2,508 cited
  • 2013How Censorship in China Allows Government Criticism but Silences Collective Expression2,410 cited
  • 1997Club Cultures: Music, Media and Subcultural Capital1,504 cited
  • 2016The algorithmic imaginary: exploring the ordinary affects of Facebook algorithms1,344 cited
  • 2012Want to be on the top? Algorithmic power and the threat of invisibility on Facebook1,301 cited
  • 2001Media and Cultural Studies: Key Works1,035 cited
  • 2016Visibility labour: Engaging with Influencers’ fashion brands and #OOTD advertorial campaigns on Instagram931 cited
  • 2006From Cyber to Hybrid691 cited
  • 2007Visibility679 cited
  • 2003T.A.Z.: The Temporary Autonomous Zone, Ontological Anarchy, Poetic Terrorism542 cited
  • 1992Hiding in the Light, on Images and Things532 cited
  • 2003Sound Tracks423 cited
  • 2011Liberation Technology: China's "Networked Authoritarianism"415 cited
  • 2005Subcultures, Scenes or Tribes? None of the Above

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