Abstract In recent decades, Contact Rock Art has emerged as a critical area of study within global rock art research, offering unique insights into cross-cultural encounters. These artworks serve as a lens through which we can examine the historical dynamics of encounters between Aboriginal people and newcomers to their shores. Traditionally, research in this field has emphasized cultural-historical perspectives and formal analyses of these artworks. While we share this interest, we propose an alternative approach that transcends conventional interpretations by adopting a biographical perspective. This article investigates the lives and artistic expressions of known rock art artists from western Arnhem Land, aiming to highlight how their lives inform and enrich our understanding of Contact Rock Art. By addressing questions about the identities of these artists, the themes they explored in their paintings, the relation to where these paintings are emplaced, and the contexts—temporal and spatial—in which they created their work, we seek to deepen the dialogue surrounding Aboriginal cultural responses to colonialism.
Stored only when both papers are in the corpus — 0 citations exist upstream.
Imported from OpenAlex (CC0) — nothing here is generated.