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El co-design en la producción de prótesis: la confluencia entre lo artesanal y las tecnologías digitales
4 references·0 citing·18 second hop
El co-design en la producción de prótesis: la confluencia entre lo artesanal y las tecnologías digitales (2025)El co-design en la producción de prótesis…Expressive Prostheses: Meaning and Significance (2013)Expressive Prostheses: Meanin…Co-creation and the new landscapes of design (2008)Co-creation and the new lands…Self‐identity and the arts education of disabled young people (2005)Self‐identity and the arts ed…Augmented Sculpture: Computer Ghosts of Physical Artifacts (2003)Augmented Sculpture: Computer…Stigma: Notes on the Management of Spoiled Identity. (1964)Stigma: Notes on the Management of Spoiled Identity (1969)Career development among young disabled artists (2009)Art Educators’ Use of Adaptations, Assistive Technology, and Special Education Supports for Students with Physical, Visual, Severe and Multiple Disabilities (2015)Modernity and Self-Identity: Self and Society in the Late Modern Age (2020)Barriers and Facilitators to Cultural Participation by People with Disabilities: A Narrative Literature Review (2022)Evolving an Aesthetic of Surface Economy in Sculpture (1997)Evolutionary Cooperative Design Methodology: The Genetic Sculpture Park (2002)Light fountain – a virtually enhanced stone sculpture (2016)A Conceptual Framework for Apparel Design (1992)Towards an Affirmation Model of Disability (2000)Well, I Know this is Going to Sound Very Strange to You, but I Don't See Myself as a Disabled Person: Identity and disability (2002)Assessment of Women’s Plus-Size Swimwear for Industry Applications (2016)Deviant Bodies and Suitable Clothes (2016)“My Leg is a Giant Stiletto Heel”: Fashioning the ProsthetisedBody (2019)Experience-based Co-design and Healthcare Improvement: Realizing Participatory Design in the Public Sector (2015)Co-Production and the Co-Creation of Value in Public Services: A suitable case for treatment? (2016)What is co-creation? An interactional creation framework and its implications for value creation (2017)
this work references cited by second hop

References

  • 2008Co-creation and the new landscapes of design5,552 cited
  • 2005Self‐identity and the arts education of disabled young people34 cited
  • 2013Expressive Prostheses: Meaning and Significance31 cited
  • 2003Augmented Sculpture: Computer Ghosts of Physical Artifacts14 cited

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