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Contemporary Music as Reflected in Scholarly Texts: An Analysis of Russian Art History Journals
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Contemporary Music as Reflected in Scholarly Texts: An Analysis of Russian Art History Journals (2025)Contemporary Music as Reflected in Schola…Концептуальная эклектика или декадентская неопрятность? Бернд Алоис Циммерман, его «ноу-хау» и его эпигоны (2024)Концептуальная эклектика или …Картина мира в творчестве композиторов рубежа XX—XXI веков через призму поэтики заглавий: Харрисон Бёртуисл — Кайя Саариахо — Тристан Мюрай (2024)Картина мира в творчестве ком…The Structural Poetics of Nikolai Korndorf’s Piano Trio (2024)The Structural Poetics of Nik…Semantic and Structural Potential of Autoreferentiality in the Music of Bent Sørensen (2024)Semantic and Structural Poten…Orchestral Texture in Wang Xilin’s Symphonic Works (2024)Orchestral Texture in Wang Xi…Eternity in Time: John Tavener’s “Apocalypse” as an Attempt of Musical Iconography (2024)Eternity in Time: John Tavene…“THE HANDMAID’S TALE” BY POUL RUDERS: OPERA DYSTOPIA IN THE CONTEXT OF PLURALISTIC MUSICAL THEATRE (2024)“THE HANDMAID’S TALE” BY POUL…Opera as Reflected in Russian Academic Periodicals of the Last Five Years (2023)Opera as Reflected in Russian…Modern/ Postmodern. Translation from French, foreword and notes by Yu.N. Panteleeva (2023)Modern/ Postmodern. Translati…Michael Nyman’s Operas: The Artistic Ideas and Principles of Their Musical Realization (2023)Michael Nyman’s Operas: The A…The Limits of Interpretation: Brian Ferneyhough’s Piano Music (2022)The Limits of Interpretation:…Paradoxes and enigmas of metamodern (2022)Paradoxes and enigmas of meta…On the Hermeneutics of Berio's “Sinfonia” (2022)On the Hermeneutics of Berio'…New Romanticism in Danish Music: about the Artistic Method of Bent Sørensen (2022)New Romanticism in Danish Mus…Major Trends in the Development of Choral Music by the Western European Avant-Garde of the 1960s (2022)Major Trends in the Developme…CHORALE «ES IST GENUG»: From J. S. BACH TO E. DENISOV (2022)CHORALE «ES IST GENUG»: From …Italian Vocal and Choral Music of the Twentieth Century as a Phenomenon of Artistic Traditions (2020)Genre and style models of contemporary Ukrainian vocal and choral music (2024)Music in the Present Tense (2019)New Forms of Artistic Synthesis in Modern Musical Theatre (2020)The Cambridge Companion to Wagner's Der Ring des Nibelungen (2020)The Idea of an ‘Icon in Sound’ in the Works of John Tavener (2021)
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References

  • 2023Opera as Reflected in Russian Academic Periodicals of the Last Five Years4 cited
  • 2022New Romanticism in Danish Music: about the Artistic Method of Bent Sørensen4 cited
  • 2022Paradoxes and enigmas of metamodern4 cited
  • 2022Major Trends in the Development of Choral Music by the Western European Avant-Garde of the 1960s4 cited
  • 2022On the Hermeneutics of Berio's “Sinfonia”4 cited
  • 2023Modern/ Postmodern. Translation from French, foreword and notes by Yu.N. Panteleeva4 cited
  • 2022The Limits of Interpretation: Brian Ferneyhough’s Piano Music3 cited
  • 2024Eternity in Time: John Tavener’s “Apocalypse” as an Attempt of Musical Iconography3 cited
  • 2024Концептуальная эклектика или декадентская неопрятность? Бернд Алоис Циммерман, его «ноу-хау» и его эпигоны3 cited
  • 2024Картина мира в творчестве композиторов рубежа XX—XXI веков через призму поэтики заглавий: Харрисон Бёртуисл — Кайя Саариахо — Тристан Мюрай3 cited
  • 2023Michael Nyman’s Operas: The Artistic Ideas and Principles of Their Musical Realization3 cited
  • 2022CHORALE «ES IST GENUG»: From J. S. BACH TO E. DENISOV3 cited
  • 2024The Structural Poetics of Nikolai Korndorf’s Piano Trio2 cited
  • 2024Semantic and Structural Potential of Autoreferentiality in the Music of Bent Sørensen2 cited

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  • 2024Orchestral Texture in Wang Xilin’s Symphonic Works2 cited
  • 2024“THE HANDMAID’S TALE” BY POUL RUDERS: OPERA DYSTOPIA IN THE CONTEXT OF PLURALISTIC MUSICAL THEATRE2 cited
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