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Cited by

• 2016The effects of protection in cultural industries: the case of the Korean film policies62 cited
• 2013Organizing K-Pop: Emergence and Market Making of Large Korean Entertainment Houses, 1980–201057 cited
• 2017How to drop a name: Hybridity, purity, and the K-pop fan50 cited
• 2015Contemporary cultural diplomacy in South Korea: explicit and implicit approaches43 cited
• 2015Locating creative city policy in East Asia: neoliberalism, developmental state and assemblage of East Asian cities31 cited
• 2013The poetics of resistance and the politics of crossing borders: Korean hip-hop and ‘cultural reterritorialisation’29 cited
• 2012Korean-Pop,Tom Gay Kings,Les Queensand the Capitalist Transformation of Sex/Gender Categories in Thailand26 cited
• 2017Social media and the new Korean Wave19 cited
• 2016Where are we going? Parent–child television reality programmes in China19 cited
• 2016The Korean Wave Phenomenon in Asian Diasporas in Canada18 cited
• 2013Malay women, non-Western soap operas and watching competencies16 cited
• 2018Vocaloid in China: Cosmopolitan music, cultural expression, and multilayer identity15 cited
• 2024The host in the shell: Constructing female identity in the embodied animated media13 cited