SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
“Social media platforms and the logics of marginalized knowledge production in East Asia”
16 references·0 citing·41 second hop
“Social media platforms and the logics of marginalized knowledge production in East Asia” (2025)“Social media platforms and the logics of…Personal Communication (2024)Personal CommunicationMusic Platforms and the Optimization of Culture (2020)Music Platforms and the Optim…When data is capital: Datafication, accumulation, and extraction (2019)When data is capital: Datafic…Platformization of the Unlikely Creative Class: Kuaishou and Chinese Digital Cultural Production (2019)Platformization of the Unlike…Platform Practices in the Cultural Industries: Creativity, Labor, and Citizenship (2019)Platform Practices in the Cul…“First Week Is Editorial, Second Week Is Algorithmic”: Platform Gatekeepers and the Platformization of Music Curation (2019)“First Week Is Editorial, Sec…The platformization of cultural production: Theorizing the contingent cultural commodity (2018)The platformization of cultur…The Platform Society (2018)The Platform Society‘Let's keep music special. F—Spotify’: on-demand streaming and the controversy over artist royalties (2015)‘Let's keep music special. F—…Micro-independent record labels in the UK (2007)Micro-independent record labe…Record and Hold: Popular Music between Personal and Collective Memory (2006)Record and Hold: Popular Musi…Music Scenes (2004)Music ScenesINDIE: THE INSTITUTIONAL POLITICS AND AESTHETICS OF A POPULAR MUSIC GENRE (1999)INDIE: THE INSTITUTIONAL POLI…Technics and Time, 1 (1998)Technics and Time, 1Club Cultures: Music, Media and Subcultural Capital (1997)Club Cultures: Music, Media a…Systems of articulation, logics of change: Communities and scenes in popular music (1991)Systems of articulation, logi…Zoot Suits and Second-Hand Dresses (1989)Senseless acts of beauty: cultures of resistance since the sixties (1996)Free Labor (2000)Bourdieu, the media and cultural production (2006)Amateur experts (2009)Platform Competition in Two-Sided Markets (2003)Bridging differing perspectives on technological platforms: Toward an integrative framework (2014)Selling Digital Music, Formatting Culture (2015)Platformisation (2019)What is platform governance? (2019)Disinformation as Political Communication (2020)Handbook of Theory and Research for the Sociology of Education. (1987)Sorting Things Out (1999)CRITICAL QUESTIONS FOR BIG DATA (2012)Assetization (2020)The Internet of Landlords: Digital Platforms and New Mechanisms of Rentier Capitalism (2020)Data as asset? The measurement, governance, and valuation of digital personal data by Big Tech (2021)The politics of ‘platforms’ (2010)The Black Box Society (2015)Digital labour: an empty signifier? (2020)Algorithms of Resistance (2024)The platformization of consumer culture: A theoretical framework (2024)Airbnb: disruptive innovation and the rise of an informal tourism accommodation sector (2013)Datafication, dataism and dataveillance: Big Data between scientific paradigm and ideology (2014)Seeing without knowing: Limitations of the transparency ideal and its application to algorithmic accountability (2016)WeChat as infrastructure: the techno-nationalist shaping of Chinese digital platforms (2019)Social Media, Echo Chambers, and Political Polarization (2020)Club cultures: music, media and subcultural capital (1996)Subcultures, Scenes or Tribes? None of the Above (2005)The Affective Turn (2008)The Politics and Poetics of Infrastructure (2013)Phenomenology in Its Original Sense (2017)Classification as Culture: Types and Trajectories of Music Genres (2008)Soundscapes: Toward a Sounded Anthropology (2010)Translocality: Concepts, Applications and Emerging Research Perspectives (2013)SUBCULTURES OR NEO‐TRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH, STYLE AND MUSICAL TASTE (1999)Signals in Social Supernets (2007)The commons: Infrastructures for troubling times* (2016)A Comparison of Multiple Constituency Models of Organizational Effectiveness (1984)Private finance for public goods: social impact bonds (2013)Optimal pricing for new and remanufactured products (2015)
this work references cited by second hop

References

  • 2024Personal Communication4,499 cited
  • 2018The Platform Society2,934 cited
  • 2018The platformization of cultural production: Theorizing the contingent cultural commodity1,526 cited
  • 1998Technics and Time, 11,515 cited
  • 1997Club Cultures: Music, Media and Subcultural Capital1,504 cited
  • 2019When data is capital: Datafication, accumulation, and extraction1,052 cited
  • 1991Systems of articulation, logics of change: Communities and scenes in popular music893 cited
  • 2004Music Scenes437 cited
  • 1999INDIE: THE INSTITUTIONAL POLITICS AND AESTHETICS OF A POPULAR MUSIC GENRE303 cited
  • 2019Platform Practices in the Cultural Industries: Creativity, Labor, and Citizenship258 cited
  • 2019Platformization of the Unlikely Creative Class: Kuaishou and Chinese Digital Cultural Production220 cited
  • 2019“First Week Is Editorial, Second Week Is Algorithmic”: Platform Gatekeepers and the Platformization of Music Curation197 cited
  • 2015‘Let's keep music special. F—Spotify’: on-demand streaming and the controversy over artist royalties156 cited
  • 2020Music Platforms and the Optimization of Culture153 cited
  • 2006Record and Hold: Popular Music between Personal and Collective Memory

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

138 cited
  • 2007Micro-independent record labels in the UK137 cited
  • Cited by

    No citing works inside the corpus for this window.